Clay Moulded Kev Tsim Qauv Sab Hauv Rau Tsev Ua Yeeb Yam los ntawm Marius Mateika

Qhov qauv tsim Clay Moulded Kev Tsim Qauv Sab Hauv Rau Tsev Ua Yeeb Yam los ntawm Marius Mateika yog tus yeej muaj nqis heev ntawm qhov khoom plig 2025 A' Design Award Kub hauv Pawg Sib Tw Tsim Chav Sab Hauv thiab Kev Nthuav Qhia.

KubSab Hauv· 2025

Clay Moulded Kev Tsim Qauv Sab Hauv Rau Tsev Ua Yeeb Yam

los ntawm Marius Mateika

Tus Neeg Siv: Mama architects

Tus Yeej A' Design Award Kub hauv Pawg Sab Hauv

67,444

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #171457

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Clay Moulded Kev Tsim Qauv Sab Hauv Rau Tsev Ua Yeeb Yam

Clay Moulded yog kev tsim qauv sab hauv ntawm lub tsev ua yeeb yam suab paj nruag nyob rau Klaipeda, tebchaws Lithuania. Av nplaum npog cov phab ntsa thiab qab nthab, thiab siv tshaj 30 tuj ntawm cov ntaub ntawv no uas muab pleev los ntawm tes. Tus qauv paj ntaub hauv chav loj yog ib txwm sib txuas mus li thiab khiav ntawm ib sab kawg ntawm qhov chaw mus rau lwm sab. Muaj xya kauj ruam ntawm txoj kev pleev npog uas tau tsim tshwj xeeb rau qhov project no, xws li tsuag, tsim qauv, ua kom qhuav, txhuam, pleev ci thiab kev tuav pov hwm. Cov phab ntsa thiab qab nthab qhib tau thiab kaw tau los tswj qhov suab rov qab, yog li qhov chaw no hloov tau raws li kev hu nkauj, kev ua yeeb yam thiab kev sib ntsib. Chav zaum saib muaj rooj zaum txaus rau 700 leej neeg.

Qhov Lees Paub

Txog A' Design Award Kub

Clay Moulded Kev Tsim Qauv Sab Hauv Rau Tsev Ua Yeeb Yam yog tus yeej ntawm A' Design Award Kub, ib qho kev lees paub muaj meej mom heev uas muab rau cov qauv tsim qib ib, zoo kawg nkaus thiab tshwj xeeb. Cov neeg yeej Kub yog cov khoom tsim tshiab heev, pom deb heev thiab ci ntsa iab uas qhia txog kev txawj ntse, kev txawj thiab lub zog ntawm cov kws tsim qauv. Clay Moulded Kev Tsim Qauv Sab Hauv Rau Tsev Ua Yeeb Yam xav tias yuav yog ib qho kev tsim uas tau txais kev qhuas ntau, tsim kev nyiam tshiab thiab loj uas ua rau muaj nqi tsis tau muaj dua. Cov qauv tsim yeej A' Design Award Kub no yog ib qho haujlwm zoo kawg nkaus thiab muaj kev hwm uas pab tau ntau thiab nthuav dav ciam teb ntawm kev kos duab, kev tshawb fawb, kev tsim qauv thiab thev naus laus zis. Clay Moulded Kev Tsim Qauv Sab Hauv Rau Tsev Ua Yeeb Yam ua rau muaj kev xav tau heev, txhawb kev mob siab, txhawb kev tsim tshiab thiab ua rau peb xav tsis thoob.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
Qhov Loj & Ntim: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
Cov Ntsiab Lus: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
Thev Naus Laus Zis Tsim Khoom: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
Kev Sib Tw Tsim Qauv: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
Kev Tshawb Fawb: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
Kev Txhawb Siab: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
Lub Sij Hawm Ua Hauj Lwm: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
Txheej Txheem Ua Hauj Lwm: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
Cov Tswv Cuab Pab: Architects: Marius Mateika
Kev Qhuas Duab: Photographer: Leonas Garbačauskas