Peregrina Cev Khaub Ncaws Ua Yeeb Yam Keeb Kwm los ntawm Kimberly Phipps-Nichol

Qhov qauv tsim Peregrina Cev Khaub Ncaws Ua Yeeb Yam Keeb Kwm los ntawm Kimberly Phipps-Nichol yog tus yeej muaj nqis heev ntawm qhov khoom plig 2026 A' Design Award Hlau hauv Pawg Sib Tw Tsim Khaub Ncaws Ua Yeeb Yam thiab Khaub Ncaws Kab Lis Kev Cai.

HlauTsim Khaub Ncaws Ua Yeeb Yam· 2026

Peregrina Cev Khaub Ncaws Ua Yeeb Yam Keeb Kwm

los ntawm Kimberly Phipps-Nichol

Tus Neeg Siv: Kimberly Phipps-Nichol, RoKi Design

Tus Yeej A' Design Award Hlau hauv Pawg Tsim Khaub Ncaws Ua Yeeb Yam

7,023

Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #182020

Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Peregrina Cev Khaub Ncaws Ua Yeeb Yam Keeb Kwm

Peregrina yog ib cev khaub ncaws poj niam ua yeeb yam ntawm tiam xyoo 1900, nthuav tawm nrog cov khoom siv ntxiv thiab ib daim tsho hnav sab hauv tiam Edwardian. Cov khaub ncaws no muab xaws los ntawm cov ntaub uas rov qab siv dua, hloov kho dua tshiab, qub txeeg qub teg thiab phim rau lub sij hawm ntawd, xws li ntaub paj rwb, maj, kab tsheb, ntaub linen, plaub yaj, quav nyab, plaub noog thiab cov khoom hlau. Tus qauv xaws yooj yim, uas qhia txog cov peev txheej uas xav tau ntawm ib tug neeg xaws khaub ncaws hauv tsev thaum lub sij hawm xyoo 1900. Cov feem tseem ceeb ntawm cev khaub ncaws no hnav tau ob sab, yog li ib pawg khaub ncaws xwb kuj muab tau ntau hom kev hnav. Cov khoom hlau uas muab zais lossis siv tau ob yam hauj lwm, xws li cov khawm thiab cov nqe lauj nrog qhov muag, pab kom cov khaub ncaws nyob sib phim thiab txhawb lub ceev hnyav ntawm cov ntaub hnyav.

Qhov Lees Paub

Txog A' Design Award Hlau

Peregrina Cev Khaub Ncaws Ua Yeeb Yam Keeb Kwm yog tus yeej ntawm A' Design Award Hlau, ib qho kev lees paub muaj meej mom uas muab rau cov qauv tsim zoo uas ua tau raws li cov kev xav tau ntawm kev ua haujlwm thiab kev lag luam uas xav tau los ntawm cov khoom tsim zoo. Cov neeg yeej Hlau qhia txog kev txawj loj, kev paub tshwj xeeb siab, kev nkag siab ntawm cov kws tshaj lij thiab lub peev xwm tsim ntawm cov neeg tsim. Peregrina Cev Khaub Ncaws Ua Yeeb Yam Keeb Kwm xav tias yuav yog ib qho khoom tsim uas neeg hwm, qhuas thiab hlub uas siv tau thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Hlau no sib xyaw cov kev coj ua zoo tshaj plaws ntawm kev lag luam thiab muaj cov yam ntxwv siv tshuab txawj ntse txuas nrog kev paub thiab txuj ci. Peregrina Cev Khaub Ncaws Ua Yeeb Yam Keeb Kwm tau txais kev hwm vim nws tag nrho thiab tsim los muab kev txhim kho rau lub neej uas pab ua rau lub ntiaj teb zoo dua.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: Peregrina is a 1900 era ladies stage costume with accessories and an Edwardian slip made from repurposed, upcycled, antique and era appropriate materials. The pattern for the suit is simple to reflect the level of design and construction capability that would have been expected of a home sewist circa 1900. What is truly innovative about this suit is that it is reversible. This flexibility provides a series of outfits from just one setup, in a nod to the tailor mades of the time.
Qhov Loj & Ntim: Suit fits a US women size 4, and dimensions vary due to wrap style.
Bust up to 105 cm
Waist up to 76 cm
Hips up to 115 cm
Submission Materials Contents include Cotton, Hemp, Silk, Linen, Wool, Straw, Feather, and Metal Hardware.
Cov Ntsiab Lus: Costume, Stage wear, Theater wear, Historic costume, Suffragette, Travel, Wearable art, Traditional craft culture, Creative design, Historic reenactment
Thev Naus Laus Zis Tsim Khoom: Research, pattern drafting, mockups and production took over 500 hours. Only era available contemporary fabrics were used where antique materials could not be sourced. Antique hardware and silk were used where feasible. While a basic sewing machine was used for main construction, only straight and zig zag stitches were employed to maintain era consistency. Most of the suit and all mockups were made from repurposed drapes saved from a now closed natural fibers boutique.
Kev Sib Tw Tsim Qauv: There were two main challenges for this costume. First was sourcing antique and era-appropriate materials on a very small budget. Second was making the main costume components completely reversible while still preserving modesty and a correct silhouette. The reversibility required mockups with significant trial and error to ensure true era appropriate design and construction.
Kev Tshawb Fawb: Historical references for design, construction, fabric patterns, colors and fibers include photos of 1900 era ancestors, plus online and print resources. Online resources included US Census Bulletin of era available fibers, as well as database searches of museums with era relevant clothing archives. Print Resources included reference books published by museums with era relevant clothing archives, along with numerous fashion and dressmaker magazines from the years 1900 through 1910.
Kev Txhawb Siab: Created in response to a call for a 1900 era historic costume for actors portraying suffragettes and women traveling across North America. The suit was inspired by inherited heirlooms and documents of a true free spirited Muse who embodied the independent characters to be depicted. The Muse had traveled extensively in this time and is a distant relative of the designer. The name is a nod to the family maritime roots and boat name at that time, Peregrinator, hence the nautical details.
Lub Sij Hawm Ua Hauj Lwm: The project started in June 2024 in Houston, Texas and finished in January 2025 in Houston, Texas.
Txheej Txheem Ua Hauj Lwm: The reversible components use hardware that is either dual purpose or hidden to ensure a sleek form. Buttons at inner and outer skirt waist sides are both used as closures and shirtwaist connection to support the skirt. This keeps individual pieces from shifting out of alignment while elegantly transferring and distributing the weight of heavy materials. Hooks and eyes ensure critical components retain points of contact important for appearance and flow while moving on stage.
Kev Qhuas Duab: Image #1: Photographer Andy Phan, Main, 2026
Image #2: Photographer Andy Phan, Optional 1, 2026
Image #3: Photographer Andy Phan, Optional 2, 2026
Image #4: Photographer Andy Phan, Optional 3, 2026
Image #5: Photographer Andy Phan, Optional 4, 2026