Golden City Kev Tsim Dab Neeg Kev Ua Haujlwm los ntawm Arlene Sun

Qhov qauv tsim Golden City Kev Tsim Dab Neeg Kev Ua Haujlwm los ntawm Arlene Sun yog tus yeej muaj nqis heev ntawm qhov khoom plig 2020 A' Design Award Hlau hauv Pawg Sib Tw Kev Kos Duab Zoo thiab Kev Teeb Tsa Duab Kos.

HlauKev Kos Duab Zoo· 2020

Golden City Kev Tsim Dab Neeg Kev Ua Haujlwm

los ntawm Arlene Sun

Tus Neeg Siv: Spdl Design Lab

Tus Yeej A' Design Award Hlau hauv Pawg Kev Kos Duab Zoo

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Tus Yeej Khoom Plig Tau Txheeb Xyuas

Txheeb Xyuas Qhov Xwm Txheej Khoom Plig rau #96191

Mus Saib Lub Vev Xaib Saib ntawm A' Design Award Tsab Xov Xwm Daim Phiaj Khoom Plig

Xim

Qhov Tsim

Txog Golden City Kev Tsim Dab Neeg Kev Ua Haujlwm

Golden City yog ib qho kev tsim khoom kos duab sib xyaw ua los ntawm cov khoom siv computer uas raug muab tso povtseg. Qhov haujlwm no ntsuas tau 30 ntawm 30 nyiab, thiab sib xyaw cov kua kos duab acrylic uas tsis muaj tiag tiag saum ntawm daim ntaub duab nrog rau cov khoom siv hluav taws xob raug povtseg, cov npog xim kub, teeb pom kev thiab lub Arduino controller. Cov khoom siv uas puas tsis tau kho tau muab sau los ntawm cov khoom pov tseg thiab muab tso rau hauv ib qho keeb kwm tshiab tsis yog kho dua tshiab. Cov nqaij kub muab kev txoj sia thib ob rau cov khoom thiab muab lawv hloov ua yam khoom uas raug saib xyuas. Lub hom phiaj yog los txhawb kev paub txog cov khoom siv hluav taws xob uas raug povtseg thiab nug seb yuav ua li cas thiaj muab tus nqi rau cov khoom.

Qhov Lees Paub

Txog A' Design Award Hlau

Golden City Kev Tsim Dab Neeg Kev Ua Haujlwm yog tus yeej ntawm A' Design Award Hlau, ib qho kev lees paub muaj meej mom uas muab rau cov qauv tsim zoo uas ua tau raws li cov kev xav tau ntawm kev ua haujlwm thiab kev lag luam uas xav tau los ntawm cov khoom tsim zoo. Cov neeg yeej Hlau qhia txog kev txawj loj, kev paub tshwj xeeb siab, kev nkag siab ntawm cov kws tshaj lij thiab lub peev xwm tsim ntawm cov neeg tsim. Golden City Kev Tsim Dab Neeg Kev Ua Haujlwm xav tias yuav yog ib qho khoom tsim uas neeg hwm, qhuas thiab hlub uas siv tau thiab tsim tshiab. Cov qauv tsim yeej A' Design Award Hlau no sib xyaw cov kev coj ua zoo tshaj plaws ntawm kev lag luam thiab muaj cov yam ntxwv siv tshuab txawj ntse txuas nrog kev paub thiab txuj ci. Golden City Kev Tsim Dab Neeg Kev Ua Haujlwm tau txais kev hwm vim nws tag nrho thiab tsim los muab kev txhim kho rau lub neej uas pab ua rau lub ntiaj teb zoo dua.

Tom Qab Qhov Tsim

Pob Xov Xwm

Cov credit, cov neeg pab thiab cov ntsiab lus kev txawj ntse muab los ntawm tus tsim.

Yam Tshwj Xeeb: When new technology comes out we purchase the new and discard the old. What is the the value of those discarded technologies? Is it garbage? And should be buried in the landfill. Or does it still have value ? What is the environmental cost of land-filling those devices? These question inspired me to create Golden City with used land-filled computer parts. I want ignite people's environmental consciousness by given a new life to those discarded parts. The Golden Life.
Qhov Loj & Ntim: Abstract acrylic and mixed media on canvas 30'' × 30''
Cov Ntsiab Lus: Abstract Acrylic, Mixed Media, Installation Art, Exhibition, Sustainable Design, Electronic Wastes, Green Design, Golden City
Thev Naus Laus Zis Tsim Khoom: Acrylic, Electronic Waste, Metallic Coatings, Arduino, Lighting
Kev Sib Tw Tsim Qauv: How can I use it to catch up all the attention from my audience? Is the project unique, creative and imaginative? Does it offer a new and ground-breaking value proposition in the social impact sector?
Kev Tshawb Fawb: In this era of digitally, filled with virtual objects and digital models, we still hold the old commitment to things. This commitment is reflected in, for example, our preference for materializing concepts – whether it is an abstract theory, a comic character, or a digital image, we want to turn the abstract doctrine into a metal breast-pin on the chest, materializing the comic character into a doll, printing digital images into files or photos. In any case, we hope that we can turn non-objects into objects - those that can be grasped with and touchable by our hands. We believe that only the objected things are real - after all, from various aspects, we are also things – in one way or another, our attachments and detachments toward each other and the world will end up with things. Thus comes our pathological roots of fetishism.

In a world of things, people have long believed that the shape of things has a deeper meaning. This conviction gave birth to the so-called Metaphysics – just as in the long Neolithic era, people once had a superstitious obsession with the metal buried in the ground: people treated metal as another form of human being, and excavating them from the ground would interrupt the process of cocooning in the earth. A vast body of knowledge is built upon this belief - Alchemy. The alchemists' mission is not to extract gold from the metal, but to eventually combine the metal with the flesh, and to achieving the final refinement of Philosopher's Stone—the object that allows everything freely transforming its form through it.

Would art be the Philosopher’s Stone? Or would our computers and smartphones be? While there seems to be no conclusive answer for this pursuit, every device around us is transforming the form of some things in its way. This pursuit has expanded into a series of questions under the hands of the artist Arlene Sun: How to turn a panel painting into a sculpture- into a devise that phonate – into a device that interacts – into a device that acts. As she chooses to scavenge the damaged electronic components from the waste pile, these 'problematic' electronic components were fixed in her hands, not by repairing but shifting into a different context than they used to be located. The devices are transformed from e-wastes into vital parts of works. The value of these devices has grown a thousand folds simply because of relocating into a different context – isn't this a way of forging gold from metal?

At this moment, these electronic components are framed into the frame, turning into the target of our vision in this space. Their another layer of meaning has been excavated in such away. Doesn't our own meaning usually come from the things around us? When we talk about meaning, don’t things always be the strongest bonds between us and our destiny? So What is our commitment to things? What do we mean when we intervene the fate of things? Who is the strong definer of whose fate? Is there a deep oriental gesture embedded in this cherished of things? Artist Arlene Sun responds to these questions via the works exhibiting here.
Kev Txhawb Siab: How to understand Value? I thought the value generate only when you care about it. The thought related me to started to think about the Value between technology and ecology. Nowadays, AI already into our life everywhere, but we still need to evoke much more attentions on solution of the environment. In the future the smart life is not just wear a VR glasses to escape from the reality. We are not able to live in a virtual world with environmental pollution, electronic wastes, abandoned resource.How do we determine value?
Lub Sij Hawm Ua Hauj Lwm: The project started in December 2017 in New York and finished in April 2019 in New York, and was exhibited in Novado Gallery in April-May 2019.
Txheej Txheem Ua Hauj Lwm: Curator: Dandi Gu, Academic Advisor: Zi
Cov Patent: Arlenesun Solo Mixed Media Art Exhibition
Cov Tswv Cuab Pab: Curator: Dandi Gu Academic Advisor: Zi
Kev Qhuas Duab: Image / Photo: Echo, Dylan