On Stage Dizajn muzejskog izložbenog postava by Skevi Farazi is a highly esteemed winner of the very prestigious 2020 Brončana nagrada A' Design Award in Dizajn Unutarnjeg Prostora i Izložbi Competition Category.
BroncaInterijer· 2020
On Stage Dizajn muzejskog izložbenog postava
by Skevi Farazi
Client: THOC & Limassol Municipality
Brončana nagrada A' Design Award Winner in Interijer Category
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The Design
About On Stage Dizajn muzejskog izložbenog postava
Na sceni stalni je postav Kiparskog kazališnog muzeja. Izložba istražuje različite aspekte kazališta kroz iskustveni pristup, gdje se granice između gledanja i glume isprepliću. Postav se odvija u tri dijela, poput činova drame. Povijest je prolaz koji djeluje kao filter znanja. Odjeljak Suradnici prikazuje dijelove produkcije koji su obično nepoznati publici. Izvedba je posljednji čin i otkriva ishod. Središnja dijagonalna vitrina dijeli prostor i usmjerava posjetitelje.
The Recognition
About the Brončana nagrada A' Design Award
On Stage Dizajn muzejskog izložbenog postava je pobjednik Brončane nagrade A' Design Award, visoko prestižnog priznanja koje se dodjeljuje izvanrednim dizajnima što se odlikuju kreativnošću, domišljatošću i oštroumnošću. Brončani pobjednici izdašno su vješti i upečatljivo kreativni artefakti koji potvrđuju golemo iskustvo, maštu i snalažljivost svojih dizajnera. Očekuje se da On Stage Dizajn muzejskog izložbenog postava bude visoko cijenjen, voljen i njegovan predmet koji je izuzetno profesionalan i inovativan. Ovaj dizajn koji je osvojio Brončanu nagradu A' Design Award uključuje najbolje prakse u umjetnosti, znanosti, dizajnu i tehnologiji i izvrstan je zbog pažnje posvećene detaljima. On Stage Dizajn muzejskog izložbenog postava sjajno zadovoljava potrebe, dotiče želje, očarava osjećaje i privlači znatiželju.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- 'On Stage' is the permanent exhibition of the Cyprus Theatre Museum. It aims to explore the different aspects of theatre in an experiential approach where boundaries of spectating and acting are intertwined. The exhibition unfolds in three parts: The History, a passage that acts as a filter of knowledge. The Contributors which showcases all aspects of the production which usually are unknown to the spectator. The Performance which as a final act reveals the final outcome.
- Tags
- theatre, museum, exhibition, interior, design, showcase, stage, contributors, space, curation
- Production Technology
- A central diagonal showcase splits the space in 3 sections and directs the visitors through wide and narrow paths, in a flow of pauses and transitions from one section to the other. It opens only to the final part and prevents thus the visual connection between the different sections.
The entrance to the museum creates a play of knowledge through the reflections of mirrors, where the spectator, the graphics and displays dissolve their actual barriers in space and time. - Design Challenge
- The various materials of the existing space, such as natural stone on walls, timber roof, metal and concrete structures and big luminous windows needed to be approached with respect but on the same time without overshadowing the actual presentation of the exhibition items which demanded a dark space to allow them as such to be highlighted.
The aesthetic balance between the exhibition design and the actual display object which by itself is ‘flamboyant’ was constantly tested. - Research
- An elaborate research was done on precedent examples, the new trends of museology and the ways of communicating the information with different media. Various display systems, materials and colour palettes were explored so that all items could be displayed in a balanced design.
The design was inextricably linked with the museological approach and developed in parallel with the exhibition material research until the final selection. - Inspiration
- Having as a reference the magic one experiences when watching a theatrical performance, the design aims to create a narrative space which evolves gradually as a 'theatrical plot’ in different ‘acts’.
The transition from one section to the other is visually distinct allowing the surprise and the unexpected to escalate as in a theatrical play. Being on stage, backstage or in a dressing room were the main references for visual representations and interactive displays. - Project Duration
- 2010-2012
Limassol - Cyprus - Team Members
- Designer: Skevi Farazi
Museologist: Sofia Antoniadou
Graphic Designer: Marika Ioannou
Audiovisual: Nicoleta Kalatha
Lighting Design: Dakis Sevastides - Image Credits
- Image #1: Photographer Socrates Socratous, 2012
Image #2: Photographer Socrates Socratous, 2012
Image #3: Photographer Socrates Socratous, 2012
Image #4: Photographer Socrates Socratous, 2012
Image #5: Photographer Socrates Socratous, 2012
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