The Last Blooming Multifunkcionalna Tkanina by Qixin Wu

The Last Blooming Multifunkcionalna Tkanina by Qixin Wu is a highly esteemed winner of the very prestigious 2023 Željezna nagrada A' Design Award in Tekstil, Tkanine, Teksture, Uzorci i Platno Competition Category.

ŽeljezoTekstil· 2023

The Last Blooming Multifunkcionalna Tkanina

by Qixin Wu

Client: EchoWu Design Studio

Željezna nagrada A' Design Award Winner in Tekstil Category

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Verified Award Winner

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Colors

The Design

About The Last Blooming Multifunkcionalna Tkanina

Da bi se shvatilo nešto logično subverzivno, da bi se naizgled složena definicija pretvorila u jednostavno istraživanje odnosa između početka i kraja, mrtvo cvijeće postaje glavni materijal za izražavanje živopisnog cvjetanja. Ostaju cvjetati i pokazuju konačnu ljepotu. Skladno ponavljanje i živopisni motivi daju rasporedu više potencijalnog izražaja. Dvostruki slojevi tkanine, gornji dio je šifon, a stražnji dio pamuk, stvaraju pomak u izgledu kada puše vjetar. Prozirni izgled šifona pridonosi The Last Blooming privlačnijem i misterioznijem.

The Recognition

About the Željezna nagrada A' Design Award

The Last Blooming Multifunkcionalna Tkanina je pobjednik Željezne nagrade A' Design Award, prestižnog priznanja koje se dodjeljuje dobrim dizajnima što ispunjavaju profesionalne i industrijske zahtjeve očekivane od dobro dizajniranih kreacija. Željezni pobjednici pokazuju veliku vještinu, visoku specijalizaciju, stručno razumijevanje i kreativne kapacitete svojih stvaratelja. Očekuje se da The Last Blooming Multifunkcionalna Tkanina bude visoko cijenjena, voljena i njegovana kreacija koja je praktična i inovativna. Ovaj dizajn koji je osvojio Željeznu nagradu A' Design Award integrira najbolje industrijske prakse i ima kompetentne tehničke karakteristike povezane sa znanjem i talentom. The Last Blooming Multifunkcionalna Tkanina se poštuje zbog svoje temeljitosti i dizajniran je da pruži poboljšanja kvalitete života koja pomažu da svijet postane bolje mjesto.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Some of them decayed naturally, and some of them were processed by HEAT PRESSED. By pushing bloomings to die, the fluid would be squeezed out of the stems and petals, and the melting botanic bodies would represent the rich colors of death beauty.
Besides that, the fresh green and goldenrod colors in the broadleaf depict the decomposition process. The musty mushroom with bloated ripe caps turned black and liquefied, playing a role in the decay through its fungus. the white fluff enhances the musty feeling.
Dimensions & Packaging: High: 27 inches
Width: 45 inches
Tags: Decomposition, Heat Press, Flowers, Leaves, Hand Drawing, Textile, Fabric
Production Technology: From design materials to print-out fabrics, the harmonious repeat and vibrant motifs give the layout more potential expression. The double layers fabrics, the top is chiffon and the back is cotton, create the shift looking when the wind comes. The transparent looking of chiffon contributes to THE LAST BLOOMING more attractive and mysterious.
Design Challenge: The Hardest Part of this design is the material choice. I have tried more than 50 different materials to test how the artwork represents the "Death Beauty". And for the fabrics. I tried cotton canvas, polyester, and silk. Finally, I found out this textured cotton and polyester chiffon can give the transparent looking and soft hand feel.
Research: W C Miles, Leslie. Textile Printing. Manchester: 1982. Print.
Ujiie, Hitoshi. Digital Printing of Textile, Woodhead Publishing in textiles. 2006. Print.
Storey, Joyce. Manual of Textile Printing. 1975. Print.
Inspiration: Inspired by Billy Kidd, who showed a heat-pressed flower with a flat decomposing effect. The relationship between started and finished became the starting point.
Inspired by the taphonomy, there are five general stages used to describe the process of decomposition, fresh, bloat, active, advanced decay, and dry/remains. By breaking up the body and analyzing its components, the decaying yet preserved, pressed flowers and leaves have an aged and textural appearance that can be used for designs. Yes, The picture of Death can be the birth of Beauty.
Project Duration: The project started in Jan 2015 in Philadelphia and finished in May 2021 in New York.
Operation Flow: To grasp something logically subversive, to turn a seemingly complex definition into a simple exploration of the relationship between "started and finished", the dead flowers become my main material to express the vivid blooming. They are still staying to bloom and show the final beauty in the double layers chiffon fabrics. The harmonious repeat and vibrant motifs give the layout more potential expression. The transparent looking contributes attractive and mysterious.
Patents: Copyrights belong to Qixin Wu, 2022.
Trademark(2022) Qixin Wu.
Image Credits: Qixin Wu