Craft as Time Capsule Liv by Hsiao-Wen Hu

Craft as Time Capsule Liv by Hsiao-Wen Hu is a highly esteemed winner of the very prestigious 2021 A' Design Award Ajan in Enprime Competition Category.

AjanEnprime· 2021

Craft as Time Capsule Liv

by Hsiao-Wen Hu

Client: Pratt Institute

A' Design Award Ajan Winner in Enprime Category

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Colors

The Design

About Craft as Time Capsule Liv

Pwojè sa a se dokiman final rechèch tèz Hsiao-Wen & # 039; sou fè atizana kòm yon metodoloji prezèvasyon nan epòk dijital aktyèl la. Liv la konsiste de twa pati, ekzamine tranzisyon ki genyen ant fizik ak vityèl, materyèl ak done, angajman itilizatè ak eksperyans nan pèspektiv nan fè atizana ak prezèvasyon. Kòm mond lan te tranzisyon soti nan aktivite fizik nan entèraksyon vityèl, nouvo bezwen ak fòm angajman ak anviwonman nou yo te pouse. Chanjman sa yo pa sèlman montre atravè objè a ak teknoloji a, men tou, tout kilti a an jeneral.

The Recognition

About the A' Design Award Ajan

Craft as Time Capsule Liv se yon ganyan A' Design Award Ajan, yon rekonesans ki gen yon prestij enmans yo bay design nivo siperyè, bèl anpil e enpresyonan. Ganyan Ajan yo se travay ki trè briyan e ki trè kreyatif ki montre ekspètiz, talan ak finès designer yo. Yo atann Craft as Time Capsule Liv pou se yon bèl travay modèl, remakab nan pwofesyonalis e ki gen gwo inovasyon. Design sa a ki ganyen A' Design Award Ajan se yon envansyon trè remakab, admire ki pote benefis e ki pouse limit atizay, syans, design ak teknoloji. Craft as Time Capsule Liv se yon kreyasyon anpil moun jalou ki reveye dezi, ki pote santiman pozitif e ki limen sipriz ak mèvèy.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
Dimensions & Packaging: The dimension of the book is in US letter size: 216 mm x 279 mm.
Tags: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
Production Technology: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
Research: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
Inspiration: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
Project Duration: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.