Ajan Jeneratif · 2025
Life Forms of Colors Atizay Dijital
by Yuko Suzuki
- A' Design Award Ajan 2025 in Jeneratif
- CLIENT: Civic Creative Base Tokyo (CCBT)
- Estimated Number of Design Views: 174,000
- Verification code 8DD03B2A2F · Verify this award
Colors
About Life Forms of Colors Atizay Dijital
Travay sa a se yon animasyon ki montre vizyèlman pwosesis piksèl yo lè y ap dekonstwi epi rekonstwi. Lide pou travay la te kòmanse lè atis la, yon graveur, te vle kreye yon anpresyon peyaj epi li te mande tèt li si li ta ka reyalize separasyon koulè atravè kodaj. Piksèl yo sanble ak sèlil, y ap deplase pou fòme nouvo fòm ak koulè, ki enkòpore konsèp Japonè yo Kasane (sipèpoze kouch) ak Zurashi (deplase). Yo tou senbolize divès transfòmasyon yon moun ka sibi, eksprime divèsite ak fliyidite nan tout travay la, epi reflete kwazman ant tradisyon ak teknoloji.
About the A' Design Award Ajan
Life Forms of Colors Atizay Dijital se yon ganyan A' Design Award Ajan, yon rekonesans ki gen yon prestij enmans yo bay design nivo siperyè, bèl anpil e enpresyonan. Ganyan Ajan yo se travay ki trè briyan e ki trè kreyatif ki montre ekspètiz, talan ak finès designer yo. Yo atann Life Forms of Colors Atizay Dijital pou se yon bèl travay modèl, remakab nan pwofesyonalis e ki gen gwo inovasyon. Design sa a ki ganyen A' Design Award Ajan se yon envansyon trè remakab, admire ki pote benefis e ki pouse limit atizay, syans, design ak teknoloji. Life Forms of Colors Atizay Dijital se yon kreyasyon anpil moun jalou ki reveye dezi, ki pote santiman pozitif e ki limen sipriz ak mèvèy.
Press Kit
- Unique Properties
- This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
- Dimensions & Packaging
- LED screen 4m × 4m, 10 minutes 30 seconds
- Tags
- Generative Art, Coding
- Production Technology
- This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together. - Design Challenge
- The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software. - Research
- This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value. - Inspiration
- The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
- Project Duration
- This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
- Operation Flow
- This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
- Image Credits
- Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].
