Radiance of Nature with Urushi Pencahayaan by Yu Watanabe

Radiance of Nature with Urushi Pencahayaan by Yu Watanabe is a highly esteemed winner of the very prestigious 2024 A' Design Award Perak in Desain Produk dan Perlengkapan Pencahayaan Competition Category.

PerakPencahayaan· 2024

Radiance of Nature with Urushi Pencahayaan

by Yu Watanabe

Client: Yu Watanabe

A' Design Award Perak Winner in Pencahayaan Category

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Verified Award Winner
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Colors

The Design

About Radiance of Nature with Urushi Pencahayaan

Berasal dari getah alami yang dipanen secara berkelanjutan di Jepang, lak Urushi diaplikasikan pada bambu menciptakan ruang yang imersif di antara bentuk-bentuk menyerupai pohon. Tidak seperti budaya Barat, di mana orang menghilangkan bayangan dari ruang, proyek ini dengan sengaja menciptakan bayangan sebagai bagian dari keindahan estetika. Kolom-kolom Urushi dapat memantulkan cahaya seperti lilin di ruangan gelap, menghasilkan pancaran cahaya yang bersinar dan memberikan kesan kedalaman kegelapan. Properti unik dari bentuk dan cahaya menciptakan permainan yang memukau dari pantulan cahaya dan bayangan yang membangkitkan ruang mikrokosmos yang mengingatkan pada alam.

The Recognition

About the A' Design Award Perak

Radiance of Nature with Urushi Pencahayaan adalah pemenang A' Design Award Perak, pengakuan yang sangat bergengsi yang diberikan kepada desain kelas atas yang indah dan mengesankan. Pemenang Perak adalah karya yang sangat cemerlang dan sangat kreatif yang menggambarkan keahlian, bakat, dan ketajaman luar biasa para desainernya. Radiance of Nature with Urushi Pencahayaan diharapkan menjadi karya yang menakjubkan, etalase keahlian, sangat profesional, dan sangat inovatif. Desain pemenang A' Design Award Perak ini adalah penemuan yang sangat menonjol dan dikagumi yang bermanfaat bagi dan memajukan batas-batas seni, sains, desain, dan teknologi. Radiance of Nature with Urushi Pencahayaan adalah kreasi yang sangat dicemburui yang membangkitkan keinginan, membawa perasaan positif, dan memercikkan keheranan dan kekaguman.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Urushi lacquer is produced from natural sap sustainably harvested in Japan. Unfortunately, the traditional craft of Urushi is in decline due to the emergence of alternative materials. This project aims to revitalise this craft and create a space that connects people with nature. Urushi also has qualities that reflect even the smallest light. Through the arrangement of tree-like shapes, the play of light and shadows can immerse people in a microcosmic space reminiscent of nature.
Dimensions & Packaging: The object consists of 16 cylindrical lights. Diameter: 11 cm to 14 cm. It comes in four sizes: size S 60 cm, size M 90 cm, size L 128 cm, and size XL 167 cm.
Urushi lacquer is applied on the bamboo by hand by Urushi craftsmen.
The bamboo is cut by artisans who cut the bamboo vertically, revealing the cut section on a dare.
Tags: Lighting, Sustainable, Traditional, Revitalising, Cultural, Meditative, Darkness, Space, Installation, Product,
Production Technology: Urushi is extracted from trees in small amounts, applied to natural materials such as bamboo. Although highly durable, Urushi products can be returned to nature when disposed of breaking down naturally under UV light. Crafted by hand by skilled artisans, each product is created in respect of the slow, yet continuous production of natural material. This circular design has the potential to restore the relationship between nature and people contrasting the modern reliance on single-use plastics.
Design Challenge: Why can’t everyday objects also be an opportunity for people to connect with nature? Urushi, a fully repairable, biodegradable, and naturally produced lacquer, allows people to create products embodying the cycle of nature. This ancient Japanese craft founded in principles of sustainability is revitalized through a modern design in this project
Research: Design research was conducted through hands-on experiments, thesis research, and collaboration with experts such as craftsmen, harvesters, and product designers. Hands-on experiments involved experimenting with more than 20 natural materials in combination with lacquer, while on the theoretical side, we investigated the relationship between how traditional Japanese lighting and space are perceived, and the relationship between Japanese gardens, modernism, and minimalism.
Inspiration: Unlike the West, where people often remove shadows from space, the Japanese embrace shadows as a part of aesthetic beauty. In Junichiro Tanizaki's In Praise of Shadows, he mentions the true value of lacquerware is that it reflects a candle-like light in a dark room, giving off a luminous glow that gives a sense of the depth of darkness and invites one into a meditative space. Through this project, Urushi is used to reflect a small flickering light while embracing shadows.
Project Duration: The project started in August 2022 in London and Japan, and finished in June 2023 in London, and was exhibited in Saint Central Martins in London.
Operation Flow: Through the arrangement of tree-like shapes, the project seeks to evoke a sense of being in a forest. The play of light and shadows allows viewers to immerse themselves in a microcosmic space reminiscent of nature. This project not only explores the fascination of materials but also encourages the viewer to look at the materials through the lense of their backgrounds, narratives and connections with nature.
Image Credits: ALL Images: Yu Watanabe, 2023
Sound in Video: Kevin MacLeod (incompetech.com) Ambiment, Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/