Fab Primary Function: Ọ̀krụ́krụ́ Ime Ụlọ Ihe Nkiri nke Xiang Li

Ihe emepụtara bụ Fab Primary Function: Ọ̀krụ́krụ́ Ime Ụlọ Ihe Nkiri nke Xiang Li bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2021

Fab Primary Function: Ọ̀krụ́krụ́ Ime Ụlọ Ihe Nkiri

nke Xiang Li

Onye Ahịa: X+Living

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #111752

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Fab Primary Function: Ọ̀krụ́krụ́ Ime Ụlọ Ihe Nkiri

Book Text: Fab bụ ime ụlọ ihe nkiri dị na Xi'an, China, nke gbara ala ihe ruru mita square 1150. Nhazi a na-ebugharị ebe a na-ese ihe nkiri banye n'ọnụ ụlọ ukwu, ya mere ndị ọbịa na-abụ ma ndị na-ekiri n'ezie ma ndị na-ekere òkè n'echiche na mmepụta ihe nkiri. Arịa ụlọ e mere nke ọma na-akwado isiokwu ahụ, gụnyere sofa yiri ebe ịsa ahụ, oche izu ike ụdị onye nduzi na ebe a na-ere tiketi nke yiri igbe set. E jikọtara mmanya izu ike na ihe ntụrụndụ dị ka igwe claw na ọnụ ụlọ nlele anọ. E lebara anya n'ihe achọrọ maka ụda na nkasi obi nke oche n'oge niile.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Fab Primary Function: Ọ̀krụ́krụ́ Ime Ụlọ Ihe Nkiri meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Fab Primary Function: Ọ̀krụ́krụ́ Ime Ụlọ Ihe Nkiri ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Fab Primary Function: Ọ̀krụ́krụ́ Ime Ụlọ Ihe Nkiri bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The design of the theater is different from traditional theaters. The project is not only rendering the film sense with different forms, but also giving the audiences dual identities, both an audience in the reality and a participant of the movie-shooting in the imagination. They are connected and laid down to enter the film world step by step. And instead of waiting boringly, they will enter an active participation sparticipation state through the mobilization of the atmosphere.
Nha & Mkpuchi: The floor area of this project is 1150 sqm.
Mkpado: Li Xiang, retail, cinema, interior design, xliving, China
Teknụzụ Mmepụta: Through some interesting customized furniture, we have taken the theme of the entire space to the extreme. Bathtub sofa, director's rest seat, as well as the ticket counter that imitates the set box, etc, all satisfy the function while cooperating with the creation of the theme, allowing consumers to experience the charm of the movie in an immersive atmosphere.
Ịma Aka Imepụta: The biggest challenge is how to break the trditional pattern. It is easily to be misunderstood that the design ignores functions while completing the aesthetics, but in fact, all the specific requirements of the acoustics environment and the comfort of the audience are all under our consideration at the beginning. We believe that the cinema should undergo a transformation of spatial attributes. It should meet the increasingly vigorous social needs of young people. Simply relying on the sale of movie tickets cannot allow it to maximize the value of a commercial space. So we broke through this situation and completed this design.
Nchọpụta: Traditional theaters pay more attention on panoramic sound effects and the viewing experience on the screen while they lack creativity. The single business model of selling tickets and snacks, it weakens the experience and expectations that the venue can give the audienceThrough the design of this project, we have found a possibility that may be able to answer the problem of the future development of the theater.
Mkpali: The inspiration for the project comes from the movie itself. We moved the shooting scene of film production to the main hall of the theater. We hope that the audience will be immediately impressed by the dramatic scene the moment they enter the theater. At the same time, through the integration of different entertainment facilities, the interaction between the audience and the cinema is not limited to watching the movie itself, which increases the possiblity of their consumption.
Oge Ọrụ: The project finished in January 2020 in Xi'an, China.
Usoro Ọrụ: According to the original plane, we can only build four relatively square video halls. Since this space pattern is difficult to provide rich viewing, instead of focusing on decoration, we integrated the space with other formats with similar entertainment attributes to build an avant-garde new cinema space. We moved the lounge bar into the theater space. It is not only an independently operable space, but also symbiotic and mutually beneficial with the cinema. The experiential claw machine and other entertainments also stimulates consumers to extend their stay in the theater, maximizes the value of the space.
Ndị Otu: Lead Designer: Li Xiang
Project Director: Ren Lijiao
Project Director: Wu Feng
Asụsụ Foto: Image#1: Photographer Shao Feng, FAB Cinema, 2019.
Image#2: Photographer Shao Feng, FAB Cinema, 2019.
Image#3: Photographer Shao Feng, FAB Cinema, 2019.
Image#4: Photographer Shao Feng, FAB Cinema, 2019.
Image#5: Photographer Shao Feng, FAB Cinema, 2019.