Light Up 13 Layer Remains Ọrụ Bụ Isi: Nhazi Ọkụ Ụlọ Ọrụ Ọkpụkpọ by Chou Lien - YI.ng Lighting Design is a highly esteemed winner of the very prestigious 2021 Ihe Nrite A' Design Award nke Igwe in Nhazi Ihe Nketa Omenala na Ụlọ Ọrụ Omenala Competition Category.
IgweIhe Nketa Omenala· 2021
Light Up 13 Layer Remains Ọrụ Bụ Isi: Nhazi Ọkụ Ụlọ Ọrụ Ọkpụkpọ
by Chou Lien - YI.ng Lighting Design
Client: Taiwan Power Company
Ihe Nrite A' Design Award nke Igwe Winner in Ihe Nketa Omenala Category
Verified Award Winner
Verify Award Status for #118969The Design
About Light Up 13 Layer Remains Ọrụ Bụ Isi: Nhazi Ọkụ Ụlọ Ọrụ Ọkpụkpọ
Ederede Akwụkwọ: Light Up 13 Layer Remains bụ ọrụ ọkụ nka ọha na eze maka ụlọ nchacha kọpa mbụ dị n'ebe ugwu Taiwan. E mechiri saịtị ngwuputa ahụ n'afọ 1973, e chekwaakwa nhazi ntọala ya. A họọrọ okpomọkụ ọkụ nke 2100K iji kwekọọ na akpụkpọ mgbochi ndị dị n'èzí ihe owuwu ahụ. Ọkụ amber dị n'ime na-echetara ọkụ eji nchacha ahụ mee. Ọkụ na-enwu na-arịgo n'ozuzu ọ bụla, site na 1 nit na ntọala ruo 6 nits n'elu ndịda, ka a na-ahụ ihe mejupụtara mgbọrọgwụ ndị ahụ nke ọma. A na-enye ahịhịa ndị dị nso ọkụ n'ọnụ ọgụgụ 3000K. N'ozuzu ya, e tinyere ọkụ 365 n'akụkụ 15 dị iche iche yana ike ọkụ dị iche iche.
The Recognition
About the Ihe Nrite A' Design Award nke Igwe
Light Up 13 Layer Remains Ọrụ Bụ Isi: Nhazi Ọkụ Ụlọ Ọrụ Ọkpụkpọ meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Light Up 13 Layer Remains Ọrụ Bụ Isi: Nhazi Ọkụ Ụlọ Ọrụ Ọkpụkpọ ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Light Up 13 Layer Remains Ọrụ Bụ Isi: Nhazi Ọkụ Ụlọ Ọrụ Ọkpụkpọ maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Taiwan Power Company integrated its arts and cultural assets in the "Shua Jin Jiu" area. Through art, they tried to subvert the "Shau Nan Dong Refinery" , which is classified as a pollution control site. At the same time, combining many good causes with people who care about this land and have aspirations. Also, the company has appointed international lighting masters Lien Chou along with YI.ng Lighting Design Consultants working together to launch the "13 Layer Remains" lighting project.
- Dimensions & Packaging
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits, presenting and highlighting the quality of "layer" . Low color temperature was employed to highlight the architectural landscape while outlining the silhouette of the refinery. We used 3000K burnishing to bring out the strength of the vegetation there. The entire project use of 15 different angles and wattage, with 365 sets of luminaire in total, in accordance with the topological features.
- Tags
- Refinery, Lighting Design, Shau Nan Dong, 13-Layer Remains, Taiwan, Taipei, Chou Lien
- Production Technology
- From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure. Amber light was also adopted as internal lighting for the structure to represent a setting of using fire during the refining process.
- Design Challenge
- At night, the light not only perpetuates the human spirit of the site but also awakens people's understanding of the golden age of Shau Nan Dong area; the light revitalizes the cultural artistry of the area, such as the combination of performing arts and cultural landscapes, the prototype of the 2020 Bright Sea Island Festival...etc.
- Research
- The reuse of historical architectural space is not only a direct way to involve commercial activities, but also a large-scale public art project to revitalize cultural assets and polluted land, which not only attracts people to see the magnificent nighttime beauty of the "13 Layer Remains", but also becomes a venue to nurture arts and cultural activities.
- Inspiration
- The mining site is no longer in use since 1973 due to the exhaustion of copper and gold. The basic structure is retained and it preserves the traces of mining for a hundred years. It had been sealed for over 30 years before the rejuvenation. From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all-encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure.
- Project Duration
- "Light up 13 Layer Remains" Public Art Lighting Project was officially lit on the night of the Moon Festival on September 13, 2019, and 90 seconds of dynamic lighting was planned in response to the lighting ceremony. However, the lighting design team does not want the light movement changes to be meaningless. Even with dynamic lighting, they still want it to be in line with the original design concept, expressing the inclusive power of nature.
- Operation Flow
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits , presenting and highlighting the quality of "layer".
- Patents
- Taiwan Power Company Public Art
- Team Members
- Client: Taiwan Power Company
Lighting Design: Chou Lien, Wen Ying Chu, Ping Yi Liu, Joyce Ho
Manufacturers: Luxmen Technical Lighting
Products: Grand Canyon LED Lighting Systems
Photographer: Yu Chen Cha - Image Credits
- Photographer: Yu Chen Cha
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