Zijin Art Museum Nhazi Ime Ụlọ nke The Design Code Co.,Ltd

Ihe emepụtara bụ Zijin Art Museum Nhazi Ime Ụlọ nke The Design Code Co.,Ltd bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ime Ụlọ na Ngosipụta.

ỌlaọchaIme Ụlọ· 2023

Zijin Art Museum Nhazi Ime Ụlọ

nke The Design Code Co.,Ltd

Onye Ahịa: The Design Code CO.,LTD

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ime Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #148068

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Zijin Art Museum Nhazi Ime Ụlọ

Zijin Art Museum bụ nhazi ime ụlọ maka ụlọ ngosi nka na ebe ahịa orire nwere okpukpu abụọ nke ruru mita skwea 1,200. Isiokwu ya bụ Usoro na Nka, nke dabere n'echiche nke nhazi enweghị oke. Ala nke mbụ nwere ọnụ ụlọ ihu, tebụl nnabata, ọnụ ụlọ ihe nlere anya na ngosi nka aka. Ala nke abụọ nwere ebe vidiyo akara njirimara, ebe tebụl aja, ebe mmiri ọṅụṅụ na ebe mkparịta ụka azụmahịa. Steepụ kwụ ọtọ na-ejikọta ala abụọ ahụ, ebe ụzọ njegharị gburugburu na-ejikọta oghere ndị ahụ. A jikọtara veneer osisi, nkume, agba pụrụ iche na ígwè n'ebe niile.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Zijin Art Museum Nhazi Ime Ụlọ meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Zijin Art Museum Nhazi Ime Ụlọ ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Zijin Art Museum Nhazi Ime Ụlọ bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This design themed in “Order · Art” infuses the design concept of “Unbounded Design”, highlights the quiet and calm exterior in the form of interspersing, stacking, turning, priority level, order and other modern architecture design techniques, and creates a spatial aesthetic art gallery with modern, narrative, guiding and local poetic features.
Nha & Mkpuchi: The building covers an area of 1,200m2 and is composed of two floors, the first floor is front hall, reception desk, model room and craft show, and the second floor is brand video display area, sand table area, water bar area and negotiation area.
Mkpado: Art Gallery, Modern, Sample Rooms, Sales Center, Aesthetics, Architecture, Interior Design
Teknụzụ Mmepụta: The project is made of wood veneer, stone, special paint and metal and makes a breakthrough in regrouping and combining different materials.
Ịma Aka Imepụta: In the prior-stage design consideration, how to plan a reasonable layout of three sample rooms and arrange the basic functions in line with the marketing needs on only 1,200 m2 construction site; the slope terrain limits cause poor lighting condition on the first floor, and the landscape on the interface of the building and parking lot is weakly functioning; in addition, the staggered form of building blocks results in cramped interior depth, which is believed to make the design work even more difficult. With the design logic and the moving line direction clarified, the first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area.
Nchọpụta: As part of the execution strategy of Zijin Art Gallery, the focus on details and daily use of functions is a sort of design attitude that caters to the vested needs and rational persistence. For space experimentation, we make a trade-off between people, architecture and the site area, and exploit appropriate aesthetic ideas to express and cross the venue limits, until the aesthetic characteristics suited to local conditions are shaped.
Mkpali: We try to think about the essence of architecture directed at problem solving, and expect to unleash the most brilliant charm of the city in space. Visitor would be attracted by art and gradually become a part of the space, rather than as a distant onlooker.
Oge Ọrụ: This project started the design stage in 2021 and was put into operation and open to the public in 2022.
Usoro Ọrụ: With the design logic and the moving line direction clarified, the entrance space is designed with vertical staircase that makes two floors associated. The first floor comes with the function of reception and sample room, while the water bar, negotiation and sand table and other crowded areas are disposed on the well-lit second floor, both are connected by annular moving lines, and the visual capacity is broadened in the limited area. All features available on the second floor are independent but associated, the flowing plan layout integrates sight, light, shadow, breath, rhythm and atmosphere, which in turn shapes a poetic and "homogeneous" ordered aesthetic of the space.
Ndị Otu: Xie Fang, Hu Anqi, Zhu Wenjun, Xia Jinbo, Pan Zaojin, Zhang Lingjie