Ihe emepụtara bụ Minus Oche na-enweghị Azụ nke Yifan Ding bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ngwá Ụlọ.
IgweNgwá Ụlọ· 2024
Minus Oche na-enweghị Azụ
nke Yifan Ding
Onye Ahịa: Yifan Ding
Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ngwá Ụlọ
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #156420Nhazi a
Maka Minus Oche na-enweghị Azụ
Minus bụ oche na-enweghị azụ e kere site n'iwepụ ihe site n'oyiyi cube dị mfe. Nsonaazụ ya bụ ụdị dị mfe nke nwere elu dị nro na-asọ asọ. Mgbanwe elu ọ bụla na-arụ ọrụ maka mma ahụike (ergonomic). Ntụgharị dị ala na-enye ebe ụkwụ ga-ezu ike. Ntụpọ dị n'elu na-akwalite mma nke ịnọdụ ala. Azụ e gwupụtara na ntụgharị dị n'elu na-arụ ọrụ dịka aka ejide, si otu a mee ka a pụta iburu Minus site n'ala n'enweghị nsogbu. E ji plastik mee ahụ ya, jiri ihe na-egbuke egbuke na-acha anụnụ anụnụ dị nro maọbụ ụdịdị marble e ji hydro dipping tinye ya kwụsi ya.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Igwe
Minus Oche na-enweghị Azụ meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Minus Oche na-enweghị Azụ ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Minus Oche na-enweghị Azụ maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- The Minus stool embodies a distinctive design philosophy, crafted by selectively subtracting from a basic cubic shape. This approach yields a minimalist form that speaks a language of simplicity while boasting elegant and fluid surfaces. Beyond its visual appeal, every subtle surface change has its ergonomic intent: a lower curve offers a restful place for the feet; an upper indentation enhances the seating experience; and a scooped back allows for effortless handling.
- Nha & Mkpuchi
- Width 420mm, Depth 350mm, Height 450mm
- Mkpado
- Stool, Furniture, Product design, Minimal
- Teknụzụ Mmepụta
- The whole stool will be made with plastic, the first finishing is slightly blue metallic coating, and the two with marble patterns will made by hydro dipping.
- Ịma Aka Imepụta
- The challenge during the design process is to find the right surface flow and match the entire minimal feelings. The designer solved this problem by adopting AR tools to inspect the subtle surface change in the actual size and real environment virtually.
- Nchọpụta
- The design journey of the minus stool was marked by an extensive exploration of sitting ergonomics. The designer meticulously crafted prototypes using CNC machining, and to ensure the design met a wide range of needs, a diverse group of individuals was invited to experience the stool firsthand. Their feedback was invaluable, informing iterative modifications that honed both comfort and functionality. This collaborative process was fundamental, embedding user-centric insights into the very heart of the stool's design.
- Mkpali
- Minus stool is inspired by sculpture, an art form steeped in antiquity, has birthed innumerable masterpieces through the ages. Our forebears crafted exquisite shapes and curves from massive stones, showcasing their artistic prowess. This ancient method of expression, with its tangible and direct approach to creating beauty, has deeply inspired me.
- Oge Ọrụ
- The project started in September 2023 in Pasadena and finished in December 2023 in Pasadena, and was exhibited in Gallery at ArtCenter College of Design until now.
- Usoro Ọrụ
- When a person sits on the stool, the top surface provides surprisingly comfortable support, and users could place their feet at the bottom curve. Furthermore, the curve at the back and top together act as handles that facilitate the user to grab it from the floor.
Nkwado
Nyochaa Karịa Designers.org
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