Hoshino Jinja Ụlọ Nsọ nke Shigetaka Mochizuki

Ihe emepụtara bụ Hoshino Jinja Ụlọ Nsọ nke Shigetaka Mochizuki bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ihe Nketa Omenala na Ụlọ Ọrụ Omenala.

ỌlaọchaIhe Nketa Omenala· 2024

Hoshino Jinja Ụlọ Nsọ

nke Shigetaka Mochizuki

Onye Ahịa: Mochizuki Corporation

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ihe Nketa Omenala

130,955

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #160556

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Hoshino Jinja Ụlọ Nsọ

Ọ bụ ụzọ ọhụrụ na-ejikọta teknụzụ ochie na nke ọhụrụ, dị ka usoro iwu ụlọ omenala ndị Japan nke na-adịghị eji ngwa ọla ọ bụla, Ishiba-building nakwa mgbakọ ike njedebe dabere na nyocha nhazi ọgbara ọhụrụ. Nhazi a, nke mejupụtara ahịrị kehoraizin na vatikal, nwere ịma mma dị elu ma akọwawo ya dị ka ịma mma nhazi na-adọrọ mmasị nke dabeere n'echiche ịma mma pụrụ iche nke ndị Japan.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Hoshino Jinja Ụlọ Nsọ meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Hoshino Jinja Ụlọ Nsọ ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Hoshino Jinja Ụlọ Nsọ bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Nha & Mkpuchi: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Mkpado: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Teknụzụ Mmepụta: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Ịma Aka Imepụta: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Nchọpụta: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Mkpali: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Oge Ọrụ: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Usoro Ọrụ: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Asụsụ Foto: Photographer, Yasuo Hagiwara