Rhythm Usoro Nleba Ihe Ọkpụkpụ nke Zhuoyun Xiao

Ihe emepụtara bụ Rhythm Usoro Nleba Ihe Ọkpụkpụ nke Zhuoyun Xiao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Nkà Mma na Nkwụnye Nkà.

IgweNkà Mma· 2025

Rhythm Usoro Nleba Ihe Ọkpụkpụ

nke Zhuoyun Xiao

Onye Ahịa: Zhuoyun Xiao

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Nkà Mma

18,243

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #170274

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Rhythm Usoro Nleba Ihe Ọkpụkpụ

Nkata Akwụkwọ: Rhythm bụ usoro nleba ihe ọkpụkpụ nke na-agbanwe mmegharị ịgba egwu ka ọ bụrụ ụdị guzosiri ike. Usoro a bụ site na iberibe osisi cherry ise nwere ịdị elu nke 150, 200, 250, 300 na 350 millimeter, ebe nchịkọta zuru ezu na-atụ 600 site na 800 ruo 300 millimeter. Ihe ịrịba ama nke oji, ọcha, na uhie na-akara ebe mgbanwe. A na-egbutu osisi ahụ nke ọma, ejiri aka wuo ya, ma jiri ihe nrụzi na-adịghị egbu egbu mezie ya. Ịdị elu dịgasị iche iche na oke ọdụ nke usoro ahụ na-emepụta olu egwu nke a na-ahụ anya. Ndị na-ele anya na-agagharị gburugburu ọrụ ahụ iji soro usoro mmegharị ahụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Rhythm Usoro Nleba Ihe Ọkpụkpụ meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Rhythm Usoro Nleba Ihe Ọkpụkpụ ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Rhythm Usoro Nleba Ihe Ọkpụkpụ maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: "Rhythm" transforms dance movements into five cherry wood sculptures. The series captures clown performance dynamics through exaggerated forms and strategic spatial arrangement. Using black, white, and red color accents, these varying-height sculptures (150-350mm) create visual cadence. The work translates abstract body movements into tangible forms, merging traditional performance art with contemporary visual expression.
Nha & Mkpuchi: Set dimensions: 600mm×800mm×300mm (complete installation of five pieces)
Individual heights: 150mm, 200mm, 250mm, 300mm, 350mm
Material: Cherry wood
Color system: CMYK (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0)
Finish: Hand-polished surface with specialized wood treatments
Weight: Approximately 4.5kg for complete set
Installation configuration: Sequential arrangement with specified spacing (120mm between pieces)
Environmental standards: Non-toxic finishes, sustainable harvested wood.
Mkpado: Grotesque Aesthetics, Dance Visualization, Cherry Wood Installation, Rhythmic Form, Visual Movement, Clown Performance, Deconstructed Motion, Dynamic Sculpture, Spatial Sequence, Color Contrast
Teknụzụ Mmepụta: Cherry wood crafted through precision cutting and hand-finishing. Five distinct sculptural elements (150-350mm) form a complete set (600×800×300mm). Used deconstruction methodology to translate clown movements into static forms. CMYK color system (C:0 M:0 Y:0 K:100, C:0 M:0 Y:0 K:0, C:0 M:100 Y:100 K:0) applied through specialized wood treatment. Spatial arrangement creates visual rhythm through varying heights and geometric relationships.
Ịma Aka Imepụta: The primary challenge was translating dynamic clown movements into static wooden forms while preserving rhythmic essence. Historical perspectives on grotesque aesthetics required careful integration with contemporary design language. Social perspectives on clown performance interpretation varied widely, necessitating extensive research to identify universal movement patterns. Material limitations of cherry wood demanded precise calculations to achieve proper balance while maintaining visual fluidity across the five-piece sequence. Technical difficulties emerged in achieving gradual height transitions (150-350mm) that conveyed motion. The color scheme implementation required multiple prototypes to determine optimal placement of black and red accents against natural wood to emphasize transitional moments without overwhelming the subtle form language.
Nchọpụta: The research explores grotesque aesthetics in dance movement visualization. It aims to decode rhythmic patterns in clown performances, translating them into visual language. Using deconstruction and reconstruction methods with digital media analysis of body movement trajectories, five cherry wood pieces of varying heights (150-350mm) were created with a black-white-red color scheme. The work dynamizes static elements through exaggerated forms, strong color contrasts, and dramatic arrangements that reinterpret traditional performance art. This research breaks visual language boundaries, demonstrates innovative fusion of traditional and modern art, and offers new approaches for public space art installations.
Mkpali: Inspired by the rhythmic movements in dance performances, particularly the exaggerated expressions of clowns. Research focused on transforming dynamic movement into static forms while preserving energetic qualities. The project explores the intersection of traditional performance art and contemporary sculpture, using wood as a medium to capture fluidity and tension in physical space.
Oge Ọrụ: The project "Rhythm" was created by Zhuoyun Xiao at Nanjing University of the Arts, China, between 2023 and 2024.
Usoro Ọrụ: Viewers circle the installation to discover how each piece captures a distinct dance moment. Varying heights create visual rhythm, guiding the eye through the sequence. Black and red accents mark transition points. The arrangement transforms static forms into perceived motion, engaging viewers in completing the dance sequence mentally. Spatial relationships between pieces amplify the dynamic quality of frozen movement.
Asụsụ Foto: Images#All: Designer and photographer Zhuoyun Xiao, Rhythm Installation View, 2024.