Guanshan Ọrụ Bụụzọ: Njirimara Ahịa nke Hong Jia Min

Ihe emepụtara bụ Guanshan Ọrụ Bụụzọ: Njirimara Ahịa nke Hong Jia Min bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Eserese, Ịse Ihe na Nkwurịta Anya.

IgweEserese· 2025

Guanshan Ọrụ Bụụzọ: Njirimara Ahịa

nke Hong Jia Min

Onye Ahịa: Jijia Brand Creative Studio

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Eserese

2,022

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #172951

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Guanshan Ọrụ Bụụzọ: Njirimara Ahịa

Ederede Akwụkwọ: Guanshan bụ njirimara ahịa e mepụtara maka ụlọ ahịa mmanya tii mmiri ara ehi. Nhazi a na-eji mkpụrụedemede ndị Chaịna dịka ntọala ya wee mee ka nhazi ederede ọdịnala nke "clerical script" dị ọhụrụ n'ihe mgbe na-edobe mmụọ ochie ya. Site na mgbọrọgwụ ya n'ime ịma mma ihe ndị Ọwụwa Anyanwụ Ụwa, njirimara a na-ejikọta oyiyi nke mma akwụkwọ aka a kwara nke ma efere ihe eji esi tii. Isi ihe atụ na-egosi mma akwụkwọ aka na iko tii n'usoro dị ka ha na-ekpuchi ibe ha, na-emeputa oyiyi abụọ dị iche iche. Ihe osise mkpisi aka na-egosipụta okpokolo achara nke mma akwụkwọ aka a na-akpụghachi apụghachi ọdịnala, ebe oyiyi iko ahụ sitere n'efere tii Jianzhan.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Guanshan Ọrụ Bụụzọ: Njirimara Ahịa meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Guanshan Ọrụ Bụụzọ: Njirimara Ahịa ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Guanshan Ọrụ Bụụzọ: Njirimara Ahịa maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Nha & Mkpuchi: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Mkpado: Oriental, Creativity, Tea , Ink Painting, Chinese
Teknụzụ Mmepụta: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Ịma Aka Imepụta: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Nchọpụta: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Mkpali: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Oge Ọrụ: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Usoro Ọrụ: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patentị: Copyrights belong to Hong Jia Min, 2024.
Ndị Otu: Hong Jia Min
Asụsụ Foto: Hong Jia Min