The Bird from Paradise Ịkpụ Osisi nke Mohamadali Vadood

Ihe emepụtara bụ The Bird from Paradise Ịkpụ Osisi nke Mohamadali Vadood bụ onye meriri a na-asọpụrụ nke ukwuu nke 2019 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ihe Nketa Omenala na Ụlọ Ọrụ Omenala.

BronzIhe Nketa Omenala· 2019

The Bird from Paradise Ịkpụ Osisi

nke Mohamadali Vadood

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ihe Nketa Omenala

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Bird from Paradise Ịkpụ Osisi

Nnụnụ ahụ site na Paradaịs bụ ihe atụ nke Peacock ma nwaa idobe ụdị ya n'adịghị ka mmachi geometric maka ime ụdị ihe osise dị iche iche ọnụ. Iji mee nke a, etinyebere m ọrụ ọdịnala 7 dị ka Muqarnas, Marquetry (Moaraq), Munabat, wdg. Muqarnas na-aga mbibi n'ihi ojiji a kapịrị ọnụ maka usoro owuwu ụlọ okpukpe, enwere m olileanya na usoro a ga-enyere aka ịtụte ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

The Bird from Paradise Ịkpụ Osisi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na The Bird from Paradise Ịkpụ Osisi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. The Bird from Paradise Ịkpụ Osisi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Among the all the arts, a specific attention is paid to Muqarnas. This amazingly beautiful art was mostly used for the architectural designs and is being created by putting together repetitive and arranged pieces to create geometric designs. Due to difficulty in application and limitation in design, which caused repetitive forms, Muqarnas is being extinct.
To create a new application for Muqarnas, an innovative method was required to exploit Muqarnas out of the symmetry and repetition of geometric limitation. For this purpose I invented a innovative method that I call “Leveling Muqarnas”. Unlike the traditional method, which was creating a Muqarnas by putting small pieces side by side or just as a one big piece, I put them in different layer and based on the form and design divide them into thick or thin layers and then carved the Muqarnas designs into them.
The lower body of “The Bird from Heaven” is made by the leveling Muqarnas and the crown is designed by the traditional method, to make the comparison simpler and show the capabilities of this beautiful art.
During the work, tried to ensure real colors of woods are being used instead of coloring them. For example the light and darker color of the neck is for one piece of Jujube wood and all the colors on the heard are the real colors of the woods.
The eyes are the shell from the Persian Gulf and they have been cut in a way that pupils are actually the sediments inside the shell and its only one piece.
Nha & Mkpuchi: 90*40*40
30*30*120
Mkpado: Art,Traditional art,sculpture,design, Artistic woodwn work,wooden art,woodwn work,Muqarnas,Wood craving,
Teknụzụ Mmepụta: Muqarnas, wood carving, traditional Iranian wood carving-grating, Iranian marquetry, wood turning, sculpting, and Iranian marquetry-carving are the arts which came together for performing this work so that the basic idea could be better visualised as a design.
Materials: Various woods, including Jujube, Millettia laurentii, Buxus, Rosewood, Haloxylon and Robinia plus the natural seashells from Persian Gulf.
Nchọpụta: All the steps have been taken with the benefit of the members' artistic knowledge and experience.
Mkpali: God resurrected 3 chopped and mixed birds, which were located on the summit of 3 different mountains, so Abraham can witness the resurrection.
The story of Abraham inspired me to believe, art as a divine phenomenon can recreate by putting together pieces of dead wood via different arts.
To make this happen, I put together 7 different arts like sculpturing, Muqarnas, Marquetry (Moaraq), Munabat, etc. along with wood from Jujube, Haloxylon, boxwood, Robinia, rosewood, etc.
Oge Ọrụ: The project started
Usoro Ọrụ: This design is basically a still sculpture and can not be transformed into anything else.
First, the idea for designing this piece is based on the best bird figure that can face the constraints of performing while doing all muqarnas, sculptures, decorations and other works on it. So, this work is more or less based on the capabilities of the fields of art which were used to perform it and could all together come next to each other. In order to separate different fields in the performance, the components are carrying various natural colours of different woods as if they reflect a rainbow of colours which have been assembled as the parts of the bird's body.
Ndị Otu: Mr Mohamadali Vadood
Ms Shadi Habib