Duyi HanによるThe Saints Wear White チャペルは、インテリア空間・展示デザインコンペティションカテゴリーにおける非常に権威ある2021 A' Design Award 銅賞の優れた受賞作品です。
銅インテリア· 2021
The Saints Wear White チャペル
デザイナー: Duyi Han
クライアント: Atelier Duyi Han
インテリアカテゴリーのA' Design Award 銅賞受賞者
認証済み受賞者
#117421の受賞ステータスを認証デザイン
The Saints Wear White チャペル について
「聖人たちは白を纏う」は、COVID-19パンデミックの発生地となった中国湖北省の教会の内壁と天井を、白い防護服を着た医師と看護師を描いた壁画へと変容させるビジョンである。教会画やフレスコ画からインスピレーションを得て制作されたこの作品は、医療従事者への感謝を表現するオマージュである。
受賞
A' Design Award 銅賞 について
The Saints Wear White チャペルは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。The Saints Wear White チャペルは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。The Saints Wear White チャペルは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。
デザインの裏側
プレスキット
デザイナーが提供するクレジット、チームメンバー、技術的な詳細。
- 独自の特性
- The Saints Wear White is both an artwork and an interior design that pay tribute to COVID-19 medical workers. The conceptual project sees the interior walls and ceilings of a church in China’s Hubei province - where the pandemic began - transformed into a large mural depicting figures dressed in white decontamination suits. The design of the interior experience takes inspiration from the historic style of church painting and fresco. The 3D renderings of this project are both an architectural proposal and visual art. Since the project was designed in February 2020, it has been shared widely online, bringing positive emotion and energy around the world, at a time when the world needed it urgently.
- 寸法とパッケージ
- The area is 120 sqm.
- タグ
- Church, Chapel, Coronavirus, Covid, Covid-19, Immersive, Fresco
- 製造技術
- This work is currently in its conceptual phase, existing as renderings. It was created as an avant-garde art: the images themselves exist online as if they are the photographs of a physical space. The physically realized version will use stucco, plaster, with painted fresco, in an actual chapel or as an independent interior installation.
- デザインの課題
- The quick rise of the COVID-19 pandemic posed a challenging question to this work: quickly share renderings of it online, or wait until it is physically built? It was created as an avant-garde art: the renderings themselves exist online as if they are the photographs of a physical space. As realistic renderings, the images brought positive emotion and energy around the world, at a time when the world needed it urgently.
- リサーチ
- The focus of the project and the research is on the aesthetic experience of a space that brings strong emotion. As an art form, fresco painting is powerful in invoking the emotion of respect and sublimity. In Hubei Province and especially Wuhan, Western influence brought in churches and church art starting from the 19th century. In this context, the decision is to use this religious architectural and art form to celebrate and advocate for secular life-savers. The work may help people around the world feel emotionally touched in a common way and unite together. Therefore, it is both locally relevant and globally understandable.
- インスピレーション
- The work pays homage to the anonymous doctors and nurses who are the heroes and saints during the time of a crisis. With recent reports of mistreatment and improvable work conditions of medical professionals in China, these people deserve higher regard. As an art form, fresco painting is powerful in invoking the emotion of respect and sublimity. The work may help people around the world feel emotionally touched in a common way and unite together.
- プロジェクト期間
- This work was designed in February 2020 and was shared online since then. As realistic renderings, the images brought positive emotion and energy around the world, at a time when the world needed it urgently. The design is intended to be physically realized in Wuhan, China and in Italy, when possible.
- オペレーションフロー
- The project is largely about immersive perceptual experience. The space's layout is similar to that of a church or chapel, with a main installation where a conventional altar would be. Visitors freely move around in the central open space.
- チームメンバー
- Duyi Han
- 画像クレジット
- Images: Duyi Han
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