Fujifilm Clay Studio2 オフィスインテリアデザイン by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 オフィスインテリアデザイン by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award 銅賞 in インテリア空間・展示デザイン Competition Category.

銅インテリア· 2022

Fujifilm Clay Studio2 オフィスインテリアデザイン

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

A' Design Award 銅賞 Winner in インテリア Category

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The Design

About Fujifilm Clay Studio2 オフィスインテリアデザイン

Clay Studio 2は、東京でプロダクトデザインおよびビジュアルデザインの業務を行うために設計されたオフィスインテリアである。300平方メートルの空間は、コミュニケーションを主眼とするオフィスとは対照的に、集中のための静謐な場として計画された。コンクリート、塗装、木毛セメント板は素地のまま用いられ、室内は梁と柱のみで構成されているかのように見える。庭の植栽と自然の風景が背景をなし、季節の移ろいを空間へと取り込む。デスクは外へ向けて配置され、7メートルのテーブルは人と人との距離を保ちながら短時間の打ち合わせを可能にしている。

The Recognition

About the A' Design Award 銅賞

Fujifilm Clay Studio2 オフィスインテリアデザインは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Fujifilm Clay Studio2 オフィスインテリアデザインは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Fujifilm Clay Studio2 オフィスインテリアデザインは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita