Kon Paper 雑誌 by Julia Hell is a highly esteemed winner of the very prestigious 2022 A' Design Award 銅賞 in 印刷・出版メディアデザイン Competition Category.

銅印刷· 2022

Kon Paper 雑誌

by Julia Hell

Client: [kɔn] Paper e.V.

A' Design Award 銅賞 Winner in 印刷 Category

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Verified Award Winner

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Colors

The Design

About Kon Paper 雑誌

Kon Paperは、文学と文化のための雑誌である。本誌はエッセイ、フイユトン、言語芸術という3つのセクションで構成されている。レイアウトはテキスト形式の境界を探求し、それらを新たな文脈に置くもので、各セクションごとに異なるグリッドを用いている。テキストには毎号異なるアーティストによるイラストレーションが添えられる。判型は220×275ミリメートル、52ページで、背に2本のステープルを通して綴じられている。印刷には再生紙と環境に配慮したインクを使用。2020年のリデザインは、読者が本棚に長く置いておきたくなる、息の長い雑誌を目指したものである。

The Recognition

About the A' Design Award 銅賞

Kon Paper 雑誌は、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Kon Paper 雑誌は、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Kon Paper 雑誌は、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: kon Paper is a magazine for literature and culture. The design and layout explores the boundaries of different texts and text forms. In three genres – essay, feuilleton and wortkunst – the known reading environments for the texts are questioned and sometimes brought into new contexts. The submitted texts are accompanied by illustrations, for which we collaborate with changing artists. The magazine was redesigned in 2020 and in the course of this, the format was adjusted as well as paper and a solid binding.
Dimensions & Packaging: The format of the magazine is 220 x 275 mm and contains 52 pages including the cover pages. We print on Vivus recycled paper. The inner part is 90g/m2 and the cover is 250g/m2. The booklet is bound with two staples through the spine. We cooperate with a printing company that focuses on sustainability. The printing inks are also environmentally friendly.
Tags: Magazine, Mage, Zine, Editorial, Layout, Illustration, Literature, Print
Production Technology: The magazine is printed on eco friendly recycling paper (Vivus 100)
with 90 grams per square meter for the content pages and 250 grams per square meter for the cover. Using sustainable ink, the whole magazine is now much more environmentally friendly then before the relaunch.
Design Challenge: Rethinking the new format. Previously printed in the Berlin newspaper format - one page is over A3 in size. Now the magazine has 220 x 275mm. A long essay had around 20,000 characters including spaces. That means four full pages in the new layout. So in addition to the design, there was also the huge challenge to throw our learned concepts overboard and completely reorganize the editorial work.
Research: Bi-weekly staff meetings are used to talk about the text entries and also the design and illustration concepts for each issue. There is a lot of feedback in input from the teammates that come for a non-design perspective. That this is one of the most fruitful ways to design a good product: Talking to the recipients and people who have a different perspective of the product.
Inspiration: The magazine was founded the project together with Pia Lobodzinski in 2015. Pia and Julia graduated from high school together. A few years after graduation, they both wanted to start a project together again. Pia had just started studying literature and Julia had graduated as a graphic designer. So the foundation of a magazine was almost obvious. For the look and feel of the magazine the constantly growing and lively self-publishing scene and a variety of exciting and unseen magazines were the source of inspiration.
Project Duration: The project was founded 2015 in Munich. Today the editorial team works form Munich, Berlin and Switzerland. The design work is done from Julia Hells Berlin-based studio. The project is ongoing releasing one issue per year.
Operation Flow: The first six issues of the magazine were printed on newspaper paper in the Berliner format. This made the product fragile and after reading it cover to cover it was basically destroyed. The magazine was completely revised and redesigned in 2020. In the course of this, the format was adapted as well as paper and a firm binding. The goal was to get a product that was sustainable and long lasting so that our readership would keep the magazines on their bookshelves.
Team Members: Illustrator: Carmen Reina