Ship 79 レストランのインテリアデザイン by Xiongbiao Luo - Guangzhou Mushi Design

Ship 79 レストランのインテリアデザイン by Xiongbiao Luo - Guangzhou Mushi Design is a highly esteemed winner of the very prestigious 2023 A' Design Award 銅賞 in インテリア空間・展示デザイン Competition Category.

銅インテリア· 2023

Ship 79 レストランのインテリアデザイン

by Xiongbiao Luo - Guangzhou Mushi Design

Client: Guangzhou Mushi Design and Decoration Co., Ltd.

A' Design Award 銅賞 Winner in インテリア Category

8,520

Verified Award Winner

Verify Award Status for #141515

View at A' Design Award Press Release Award Badge

Colors

The Design

About Ship 79 レストランのインテリアデザイン

Ship 79は、面積2800平方メートルのシーフードレストランのインテリアデザインである。空間は漁船の船室を想起させ、提供されるシーフードの新鮮さを際立たせている。ナチュラルウッドとラタンを用いた温かみのあるイエロートーンが、素朴なテクスチャーを生み出す。曲がりくねったライン、湾曲した天井、U字型のパーティションが互いに呼応し合う。セミプライベートルームでは、中空のアーチ型パーティションとラタンのスクリーンがプライバシーを確保し、ウォーターコルゲートガラスのパーティションが光を受けて輝く。窓辺のブース席は旅行用トランクを思わせ、外の景色に向かって配されている。

The Recognition

About the A' Design Award 銅賞

Ship 79 レストランのインテリアデザインは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Ship 79 レストランのインテリアデザインは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Ship 79 レストランのインテリアデザインは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Ship 79 is a seafood restaurant dedicated to serving freshly cooked seafood. It is popular with the customers for the high-quality fresh ingredients, immersive dining site and affordable prices. This case is the interior design of a Ship 79 Restaurant. Taking fresh ingredients as the core of the restaurant, the designer hopes to create a cabin-like dining place to highlight the freshness of seafood.
Dimensions & Packaging: The area is 2800 sqm.
Tags: Modern, Minimalist, Natural wooden, Primitive, Simplicity
Production Technology: The space mainly takes the modern minimalist style. It adopts the warm yellow tone and plain, natural wooden, rattan materials to create primitive simplicity textures of fishing boats, bringing a relaxed and friendly feeling of space. Bent lines, curved ceiling, and U-shaped partitions echo each other in the space, bringing changes to the overall impression.
Design Challenge: The space uses plain linear lighting, just like the faint light emitted from distant floating fishing boats, to convey artistic conception, and make the space simple and agile. The space applies a large number of removable components, which can be recycled.
Research: The lobby is paved with terrazzos to bring memories back to the ancient times. Gray leather seats soften the space of hard lines to deliver comfort. The ceiling presents multi-level changes, affording the space for thought. The linear glass windows simulate the viewing windows of the cabins to enhance spatial permeability.
Inspiration: As a result, the designer, inspired by the cabins, extracts the n-shape, a basic element of the cabins, divides and reorganizes the space in abstract design techniques along with the use of diversified materials, to form an exclusive IP of the brand, and make the brand unique in the market.
Project Duration: The project started in April 2020 in Shenzhen and finished in November 2020 in Shenzhen.
Operation Flow: The semi-private rooms adopt hollowed arc partitions and rattan screens to keep privacy and give customers the freshness of looking outside as if sitting in a cabin. The rooms are separated with water corrugated glass partitions, which produce a sparkling visual effect under the light. The corridor extends the water waves to deepen the theme of the space and make the space transparent, reducing the discomfort of closure. The booths by the window, simulating travel boxes, enjoy the scenery outside, full of fun.
Image Credits: Image #1: Photographer Jian Feng, Ship 79, 2020.
Image #2: Photographer Jian Feng, Ship 79, 2020.
Image #3: Photographer Jian Feng, Ship 79, 2020.
Image #4: Photographer Jian Feng, Ship 79, 2020.
Image #5: Photographer Jian Feng, Ship 79, 2020.