Interference 彫刻芸術 by Lai Jiebin is a highly esteemed winner of the very prestigious 2023 A' Design Award 銀賞 in ファインアート・アートインスタレーションデザイン Competition Category.

銀ファインアート· 2023

Interference 彫刻芸術

by Lai Jiebin

A' Design Award 銀賞 Winner in ファインアート Category

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Colors

The Design

About Interference 彫刻芸術

樹木の形は自然を象徴し、布は自然への人間の介入を象徴している。本作品は、自然の原始的な本質と人間による干渉の可能性を衝突させ、エコロジーをテーマとしたシーン空間を創出し、宋代の文人画における樹木造形の要素を彫刻に応用している。鑑賞者がこれらの作品を凝視するとき、人類がどこへ向かっているのか、そして自然と人間の関係について思索することになる。

The Recognition

About the A' Design Award 銀賞

Interference 彫刻芸術は、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Interference 彫刻芸術は、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Interference 彫刻芸術は、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The tree shape symbolizes nature, and the cloth on it symbolizes the interference of human forces in nature. It collides the primitive nature of nature with the possibility of human interference, suggesting that although the environmental situation of today's highly developed earth looks very beautiful, it has major hidden dangers. When people stare at the works, they think about the future of mankind and the relationship between nature and mankind.
Dimensions & Packaging: Each monomer is about 4.8m long, 1.5m wide and 2.5m high
Tags: Sculpture, public art, contemporary art, ecological art
Production Technology: Transparent resin is selected for material creation through 3D printing technology to explore the performance of 3D printing technology in the context of contemporary art, create a tragic scene space with the theme of ecology, reflect the natural attribute, spatial expression and artistic conception transmission of transparent resin, apply the modeling elements of trees in Chinese traditional literati paintings of Song Dynasty to sculpture, and retain Chinese classical aesthetics, Make the whole work present an elegant state.
Design Challenge: Create a visual and touchable artistic image with a certain space, so as to reflect social life and express aesthetic feeling, aesthetic emotion and aesthetic ideal
Research: The emergence of ecological art reflects people's reflection and Reflection on the consciousness of environmental damage, and is the expression of the progress of the times. As a work of public art, with the eyes of criticism and reflection, it has more profound value and contribution to the disclosure of the contradiction between man and nature, and can also reflect the level of civilization.
Inspiration: The inspiration comes from the author's childhood rural life. In the process of perceiving the "tree" since childhood, what lingers is that the "tree" is used in the form of tools to provide daily necessities and "service" for drying quilt covers for people living nearby. The author felt sad about the "pressure" of trees since childhood. Why should a tree bear so much weight for mankind. Nowadays, people's interference with nature is more like one quilt after another
Project Duration: The project was completed in April 2022, and was exhibited in Shandong Art Museum in May 2022, 798 Art District in Beijing in June 2022, and the Himalayan Art Museum in Shanghai in December 2022. It is now collected by Zhuhai Huanyu City
Operation Flow: Compared with literati paintings in other times, Chinese literati paintings in Song Dynasty have more obvious characteristics, rich ideas and simple painting style, which has great reference value for the current painting art. The shape of the tree in the works is inspired by the literati painting of the Song Dynasty. Through repeated deliberation on the tree language in the literati painting of the Song Dynasty, it is finally presented in its own works.
Image Credits: Image # 1, # 2, # 3, # 4, # 5 artist Lai jiebin