Essence of 220 Years of the Library 展示 by Maria Gazdag

Essence of 220 Years of the Library 展示 by Maria Gazdag is a highly esteemed winner of the very prestigious 2023 A' Design Award 鉄賞 in インテリア空間・展示デザイン Competition Category.

鉄インテリア· 2023

Essence of 220 Years of the Library 展示

by Maria Gazdag

Client: Lulla Interiors

A' Design Award 鉄賞 Winner in インテリア Category

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Verified Award Winner

Verify Award Status for #148235

Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Essence of 220 Years of the Library 展示

エッセンスは、ハンガリー国立セーチェーニ図書館の創立 220 周年を記念して企画された教育展示会です。本の制作の歴史に基づいた視覚的なストーリーラインは、訪問者をかなり断片的な空間に案内するように設計されています。情報を読者に伝えるために使用される素材と技術は、皮紙からデジタル表面、ベルベットからキャンバス、原稿から印刷されたテキストに至るまで、デザイン要素として使用されます。色と質感は、コルヴィナスの装丁、建国憲章、およびキャンバス本の装丁に関連しています。

The Recognition

About the A' Design Award 鉄賞

Essence of 220 Years of the Library 展示は、よく設計された創造物に期待される専門的・産業的要件を満たす優れたデザインに授与される、権威ある評価である A' Design Award 鉄賞の受賞作品です。鉄賞の受賞作品は、制作者の高い技量、高度な専門性、専門家としての理解、創造的な能力を示しています。Essence of 220 Years of the Library 展示は、高く評価され、称賛され、愛される、実用的で革新的な創造物であることが期待されます。この A' Design Award 鉄賞を受賞したデザインは、業界のベストプラクティスを統合し、ノウハウと才能に結びついた有能な技術的特性を備えています。Essence of 220 Years of the Library 展示は、その徹底ぶりで尊敬され、世界をより良い場所にするための生活の質の向上をもたらすよう設計されています。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The exhibition and the new corporate identity created for the anniversary are interlocked, playing important parts in shaping the library’s new image. The common areas of the working library are used by employees and readers as well as visitors. The library building is in the castle district with lots of tourists who are interested in what is being treasured in the impressive building. Therefore, the exhibition has to communicate to visitors with very different background knowledge. Complexity of the story and the diversity of the space called for flexibility in term of designing the exhibition elements.
Dimensions & Packaging: The brief was to utilize some 1300m2 of common area. The characteristics and functionality of the space used by the exhibition had to be kept intact. In most of the areas the exhibition elements had to be lined along the walls, not to change the functionality of the building. Overhead structures are used to tie areas together where content called for it. Some light effects were added but used sparingly not to change the ambiance of the library, and not to increase energy consumption unnecessarily. The aim was to create an environment which is exciting for exhibition visitors, but homely and warm for employees and readers.
Tags: cultural education, exhibition in a library, interactive exhibition, books, history
Production Technology: Sustainability was an important aspect considered when planning to transform the large, empty, somewhat inhospitable marble cladded spaces. The aim was to use structural material as sparingly as possible, which also helps to keep the characteristics of the spaces. Changing high consuming light fittings and using new light fixtures with adjustable 4000K LED lights apart from reducing energy consumption helped to create a more hospitable ambiance. Reusing picture frames from the storages after giving them a new lease of life with new colours allowed to keep costs lower, and makes it easy to change content in the future.
Design Challenge: The diversified venue and content called for a design element to provide a link visually between the different contents. Nowadays libraries are working on moving their enormous content to the digital space, therefore, the old register cabinets, being distinct elements of libraries for a long time, are disappearing slowly. The catalogue tab used both in cabinets and on digital platform was implemented as a visual link, marking areas, framing content. This also reinforces the impression that these treasures are pulled out of the enormous collection hidden in the storages.
Research: To accompany the story, a visual storyline guides visitors through the exhibition. Hence is the citation of materials, techniques used to pass information to the readers throughout time. Vellum to digital surface, velvet to canvas, manuscript to printed texts etc. Lilac velvet comes from binding of Corvinas, deep red velvet from the binding of the founding charter, anthracite grey from canvas binding. Gold has been highlighting books from manuscripts to present-day editions. The new corporate identity and the interior are reflecting these historical aspects and forming a very strong new image of the institution.
Inspiration: Essence, Esszencia in Hungarian, was dedicated to celebrate the 22Oth anniversary of the founding of the National Szechenyi Library. In 18O2 Count Szechenyi transformed his private library into a Hungarika collection, thus laying the foundations of the Hungarian National Library. The story told also recalls the Corvina Library of king Matthias as it can be considered a historical predecessor. The curators of Essence targeted to present the complexity and multi layered nature of the more than ten million documents. These aspects were to be presented in an integrated educational exhibition in the common area of the building.
Project Duration: Designing the first stage of the project started in January 2022, the second stage was completed on site by 26. November 2022.
National Szechenyi Library Budapest, Hungary
Operation Flow: The space is rather fragmented. This disadvantage was turned to advantage by allocating the themes according to the space rather than forcing and changing the natural flow. The independently interpretable exhibition sections are linked together with a visual storyline creating an integrated story. Interactive screens provide more information and the experience of turning the pages of books treasured in the storages. At the sound terminals visitors can listen to old soundtracks or to present-day guardians of the collection talking about some treasures kept in the library.
Team Members: Creative concept and exhibition design: Maria Gazdag
Graphic design: Tamas Takacs
Image Credits: Photographer: Gyorgy Darabos