Ni Jie GuoによるLooping Flower 生け花文化空間は、インテリア空間・展示デザインコンペティションカテゴリーにおける非常に権威ある2024 A' Design Award 銅賞の優れた受賞作品です。

銅インテリア· 2024

Looping Flower 生け花文化空間

デザイナー： Ni Jie Guo

クライアント: Blankspace

インテリアカテゴリーのA' Design Award 銅賞受賞者

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カラー

デザイン

Looping Flower 生け花文化空間について

生け花の芸術は、四季の移ろいの中で生命を瞑想するものであり、日本美学における刹那の瞬間を究極的に捉えること、花と枝の生命の再構築、そして構造と美学の革新的な融合を内包しています。空間全体のデザインは、クサツキ流の精神を基盤とし、伝統的な日本建築から要素を抽出して現代的な建築言語へと変換することで、抽象的な日本的要素を用いた現代建築と美学の関係性を探求しています。

受賞

A' Design Award 銅賞について

Looping Flower 生け花文化空間は、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Looping Flower 生け花文化空間は、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Looping Flower 生け花文化空間は、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: This art space is located in Fuzhou City, Fujian Province, with a total area of about 105 sqm. The owner hopes that this space will be able to hold experimental art exhibitions on a regular basis as a place to focus on outside the flower show classroom and as an exchange.
寸法とパッケージ: Aiming at the disadvantage that the project is located along the river and has high humidity. At the spatial level, we raised the ground at three levels, raising the first level of the ground to reduce moisture infiltration, and then setting a movable dark grid in the hollow position and placing charcoal to reduce humidity, so as to improve the problem of dampness near the river and enrich the space. In addition, the three gradual elevations also indicate the transition of the nature of space from public to private, and enhance the sense of spatial experience.
タグ: Ikebana, Japanese Aesthetics, Natural Features, Relaxed
製造技術: In terms of the organization of the plan, the exterior of the building uses semi high stone walls as its front stage and cobbles as its transition point. Our work has opened up a third realm in the external environment and internal space, reinterpreting the traditional material media of Japanese architecture, the edge. Allowing the noisy atmosphere of the street to form a strong contrast to the tranquil atmosphere of the interior. This eliminates the sense of the rigid boundary of the building.
デザインの課題: Being the space of flower paths, there is a large storage demand, and we must solve these problems in the limited space. In order to create the possibility of acceptance in the space to a greater extent, we use the alley and other space to perform boundary computation, in order to ensure a clean and tidy image in the hall of flower paths.
リサーチ: The proportion of the door is obtained after the traditional Japanese style house frame has been calculated, in the design deliberately control the height, so that the visual external door is relatively small, but after entering the interior it will be felt that the longitudinal stretching of the space is very strong. This is similar to the traditional Japanese space. In the style of oriental classical architecture, it stands in contrast to the modern material form, highlighting infinitely qualitative spatial narrative techniques.
インスピレーション: In designing the entire space, we dismantle the design based on the spirit of the flow of grass and moon: extracting elements from traditional Japanese architecture and transforming them into the modern architectural language, and exploring the relationship between structure and contemporary aesthetics with abstract Japanese features. So that it is not necessarily a traditional depiction but has a Japanese temper.
プロジェクト期間: The project started in August 2022 and finished in December 2022 in China .
オペレーションフロー: To make it more ceremonial to enter the flower room, we will extend the line of movement to enter the room, using internal push processing to create a unique entrance to the space, increasing the time it takes to enter the building, and hoping visitors will change their state from body to mind and become immersed in the ambience. entering the flower path to study. Floor-to-ceiling glass windows enter the room and bring enough natural light into the entire space, and the open and brightly lit lecture area and exhibition area welcomes visitors. Causing visitors to temporarily forget the impetuousness of outer life and find a corner to rest in.
チームメンバー: NI JIE GUO
画像クレジット: BLANKSPACE