Andaman リゾートインテリアデザイン by Kyan Foo is a highly esteemed winner of the very prestigious 2024 A' Design Award 鉄賞 in インテリア空間・展示デザイン Competition Category.

鉄インテリア· 2024

Andaman リゾートインテリアデザイン

by Kyan Foo

Client: Forte Design Partners

A' Design Award 鉄賞 Winner in インテリア Category

10,628

Verified Award Winner

Verify Award Status for #155602

View at A' Design Award Press Release Award Badge

Colors

The Design

About Andaman リゾートインテリアデザイン

「アンダマン」は、新昌に位置するリゾートのインテリアである。デザインは徽州建築の白と黒の色彩を用い、江南の水墨画を想起させる。インテリアは3階建ての建物内、1128平方メートルに及ぶ。1階に共用機能、上階に客室を配置し、動と静のエリアを分離している。1階にはチェックインバー、床から天井までのガラスを備えた待合・朝食エリア、レストランが設けられている。マイクロセメント塗装が各室にシンプルな質感を与えている。上階の客室はそれぞれ異なるテーマに沿ってデザインされている。

The Recognition

About the A' Design Award 鉄賞

Andaman リゾートインテリアデザインは、よく設計された創造物に期待される専門的・産業的要件を満たす優れたデザインに授与される、権威ある評価である A' Design Award 鉄賞の受賞作品です。鉄賞の受賞作品は、制作者の高い技量、高度な専門性、専門家としての理解、創造的な能力を示しています。Andaman リゾートインテリアデザインは、高く評価され、称賛され、愛される、実用的で革新的な創造物であることが期待されます。この A' Design Award 鉄賞を受賞したデザインは、業界のベストプラクティスを統合し、ノウハウと才能に結びついた有能な技術的特性を備えています。Andaman リゾートインテリアデザインは、その徹底ぶりで尊敬され、世界をより良い場所にするための生活の質の向上をもたらすよう設計されています。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The overall resort adopts black and white colors of Hui-style architecture to present the charm of Jiangnan ink painting. The interior space involves the public area on the first floor and the accommodation area on the second floor, achieving dynamic and static separation. The public area on the first floor presents the form of vacation life, and the reception function is carried out with the theme of Boutique, fully meeting the needs of multi-functions. The second and third floors have different themes to give each room a unique experience. Different themes are suitable for different room types to fully meet the requirements of various tourists.
Dimensions & Packaging: The ground building has three floors and covers an area of 376 square meters.
The interior design area is 1128 square meters;
Features: Hotel accommodation.
Tags: Nature, Abstraction, Jiangnan style, Art, Localism
Production Technology: The original building, built of traditional mortar and cement before the renovation. After renovation, color paint was deliberately used to distinguish the exterior wall from the surrounding buildings.The interior design uses microcement paint to reflect the simple texture, so that the outdoor nature can be used as a backdrop. Moreover, designers try to to integrate the social area of the guest room with a kitchen to create enough space for family and friends gathering.
Design Challenge: The client wanted to bring the cosmopolitan and international atmosphere to the project, so they hired different high-quality overseas firms to participate in the design and construction period. One of the challenges was the coordination of the various design partners working across time zones, such as adjusting time zones and videotaping the construction process. The beneficial effect is that the resort does reflect the backgrounds and styles of designers from different countries.
Research: The whole research process is oriented by geographical environment, the project conducts research and connects it to design. Specifically speaking, observe the light and shadow effect produced by natural light in different time periods and the atmosphere expressed, visualize the building through modeling, and simulate different human behavior flow lines and light and shadow effects to collect data and analyze them one by one.
Inspiration: The design is inspired by the surrounding environment, which refers to the Nineteen Peaks Scenic Area in Xinchang and the self-built houses with a rural style. The resort integrates with the Jiangnan style and the surrounding environment to become a part of the local context. The interior design is inspired by the natural mountains, water and stones of the Nineteen Peaks Scenic Area, the natural environment of the scenic area is brought into the space through the application of materials and abstract techniques, and then the overall space texture is enhanced by the embellishment of artworks.
Project Duration: The project started in February 2022 in Xinchang and finished in October 2022 in Xinchang.
Operation Flow: Two sets of traffic flow lines are designed, with the front and rear sections used to organize traffic for internal staff and external customers. The external flow line extends from the lobby to the front section, where people can see the checkin bar. The waiting and breakfast area on the left adopt floor-to-ceiling glass design, which is spacious and unblocked; the special restaurant on the right is cut off by the art wall and floor-to-ceiling glass, which ensure the visual effect and privacy requirements. Internal staff access the rear section through the back door, which has lounge, toilet, elevator, stairwell, etc.
Team Members: Design Director: Kyan Foo
Interior Design: Yuzi Zhou
Visual Design: Sophia Rou
Image Credits: Image #1-5: Photographer Zhongyi Fan, 2023.