Office And Exhibition Venue スタジオデザイン by Yen Ting Cho

Office And Exhibition Venue スタジオデザイン by Yen Ting Cho is a highly esteemed winner of the very prestigious 2024 A' Design Award 銅賞 in インテリア空間・展示デザイン Competition Category.

銅インテリア· 2024

Office And Exhibition Venue スタジオデザイン

by Yen Ting Cho

Client: YEN TING CHO Studio

A' Design Award 銅賞 Winner in インテリア Category

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Verified Award Winner

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Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Office And Exhibition Venue スタジオデザイン

これは、パターン、空間、素材における大胆な実験である。既存の住宅建築を、ダイナミックな商業デザインスタジオと一般向け展示スペースに再設計するプロジェクトである。スタジオの専用ソフトウェアによって生成されたパターンは、UVおよびフィルム技術を用いてガラス、レザー、アクリルに印刷され、インパクトのあるデザインアクセントを創出する。展示スペースでは、実用的な家具やテキスタイルとパターンを重ね合わせることで奥行きを生み出している。室内照明は、変化するパターンを用いて躍動感を演出する。

The Recognition

About the A' Design Award 銅賞

Office And Exhibition Venue スタジオデザインは、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Office And Exhibition Venue スタジオデザインは、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Office And Exhibition Venue スタジオデザインは、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Yen Ting Cho Studio and Gallery is a bold experiment in pattern, space and materials. Patterns created by the Studio's bespoke software are printed on glass, leather and acrylic with ultraviolet and film technologies to create impactful design accents. The exhibition space layers patterns with utilitarian furniture and textiles for depth. Interior lighting employs changing patterns for vitality. A mirror light box creates a mesmerising effect as its pattern shifts according to the viewing angle.
Dimensions & Packaging: Architecture Form: Studio and Gallery
Area: Indoor 168 m sq and outdoor 63 m sq
Materials: Perforated metal, special coatings, metal paint, hollow bricks, leather, glass printing, long rainbow glass, mosaic tiles, terrazzo tiles, fibre cement board, stone veneer, burnt cedar, plastic flooring.
Tags: Interior design, spatial design, design studio, public art gallery, exterior, digital art, pattern, decor, exhibition space, innovation
Production Technology: The design incorporates digital art patterns and combines them with experimental methods and materials, such as the Mist Maze glass lightbox with film, the Flower Clusters glass art wall with UV technology, and the Humanoid Stars infinity abyss mirror light box with acrylic engraving. These innovations blur the boundaries between utilitarian furniture or decor and contemporary art and design, underlining the functionality of the design-art studio with the artistry of a public exhibition space.
Design Challenge: The challenge was to integrate patterns with materials like glass, leather, wood. UV technology preserved pattern colours on outdoor materials and digital printing accurately captured detail and colours. Converting a residential space to a commercial one entailed layout adjustments. The ground floor position with south-facing sunlight posed a challenge to balance light penetration and privacy, which was met by using materials like perforated metal, hollow bricks and glass for ceilings and walls.
Research: In interior and exterior design, we aim for a balance between maximalist and modernist styles, prioritizing user comfort while adding playful interest. This project to design a studio and gallery enabled us to use materials and pattern in new ways. In the front yard, for instance, a UV glass art wall features double-sided patterns, one vibrant and colourful, the other calm and deep. We want people to explore and be emotionally impacted by the changing patterns as they enter and leave the space.
Inspiration: This project is inspired by designer Yen Ting Cho's philosophy of people, parameters, pattern, placement and print. It uses unique pattern in spatial design, creating captivating immersive and purely aesthetic experiences. Utilising materials, techniques and lighting, it reimagines space in alignment with Cho's philosophy. Natural materials like metal, wood and stone are used, while hollow brick walls capture shifting sunlight, encouraging contemplation and enjoyment of life, art and design.
Project Duration: The project started in September 2022 in Tainan, Taiwan, and finished in June 2023 in Taipei, Taiwan. The deliberate 25 degree offset of the main entrance along the spatial axis serves both as a visual guide and symbolizes Taipei as the studio's headquarters at Latitude 25 degrees north.
Operation Flow: Yen Ting Cho Studio and Gallery uses diverse materials and unique patterns to enhance user and visitor experience. The space is divided into a studio and a public gallery. Communication is encouraged in the open plan studio area, with a discussion island facilitating interaction. The gallery, which can open into the studio to benefit use of facilities such as WC and kitchen, includes a curved metal ceiling integrating lighting, projection and suspended exhibits for adaptable configurations.