B'in LiveによるMayday 5525 Live Tour コンサートは、舞台芸術・ステージ・スタイル・舞台美術デザインコンペティションカテゴリーにおける非常に権威ある2025 A' Design Award 金賞の優れた受賞作品です。

金舞台芸術· 2025

Mayday 5525 Live Tour コンサート

デザイナー： B'in Live

クライアント: B'in Live

舞台芸術カテゴリーのA' Design Award 金賞受賞者

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デザイン

Mayday 5525 Live Tour コンサートについて

Maydayの5525ツアーは、結成25周年を記念し、時間と音楽を通じた変革的な旅を提示する。個人的な記憶を呼び起こすことで知られる彼らのコンサートは、アイデンティティ、環境、人間性といったテーマを探求する。ステージには直径12メートルの空間と、5基の5メートル3次元LEDスフィアが配され、バンドの精神とファンとの結びつきを象徴している。この没入型セットアップは音楽とビジュアルを融合させ、感情的なインパクトとアーティストとのインタラクションを強化する。このコンサートは単なるショーではなく、音と光による物語であり、記憶と普遍的なテーマへの内省を誘うものである。

受賞

A' Design Award 金賞について

Mayday 5525 Live Tour コンサートは、まさに素晴らしく傑出した第一級のデザインに授与される、計り知れないほど権威ある評価である A' Design Award 金賞の受賞作品です。金賞の受賞作品は、きわめて革新的で、先見性に富み、きらびやかに輝く創造物であり、デザイナーの天才性、叡智、卓越した技量を映し出しています。Mayday 5525 Live Tour コンサートは、最も称賛される、流行を牽引する記念碑的な発明であり、前例のない価値をもたらすことが期待されます。この A' Design Award 金賞を受賞したデザインは、壮観で尊敬されるプロジェクトであり、芸術・科学・デザイン・技術の境界に大きく寄与し、それを前進させます。Mayday 5525 Live Tour コンサートは、強い欲求を生み出し、情熱を呼び覚まし、創造性を促し、私たちを引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: The stage design breaking away from the previous 2D screen, the stage has a 12-meter diameter and five 5-meter 3D LED spheres. Their surfaces are seamlessly spliced together to create a three-dimensional space where images can be seen more clearly. As the performance progresses, it can be a concrete earth, moon, balloon, etc., or a soul, brainwave, even a memory. The visualization method visualizes the music and allows the artists to interact with the stage, making the performance more powerful.
寸法とパッケージ: The stage was 90m wide, with a huge 12m diameter, 10-ton sphere and five 5m diameter, 3-ton spheres. A total of 13,000 pieces of special-specification LED were used to form them. And the base of the stage was also equipped with plenty of LED screens. The console area was integrated into the stage design as a hemisphere. The audience holds reusable lighting sticks, which can pair to their seats via App or NFC for sync to the lighting controller to extend the stage design to the entire venue.
タグ: Mayday, Time machine, AI animation, Tour, Concert, Sphere LED
製造技術: Using the LED spheres, the stage began like an aircraft then transformed into a time machine that leads the audience to travel through time and space. The song "Sun Wu Kong" expresses the spirit of adventure, while the song "Song of battle" reflects on diversified issues. The closing song "Dokodemo Door" highlights family, friendship, and looking forward to the future. Various Easter eggs in video contents connect the band's progress and fans' memories which makes more discussion after the show.
デザインの課題: Organizing a concert is a race against time. The manufacturing process of the sphere is complex and requires overcoming issues such as size, workmanship, and production efficiency. Video content of the spheres are needed to ensure that the holographic projection-like effect can be clearly presented at different angles. And also needs to avoid blocking the audience's view by lighting and audio equipment. This all required skillful structural techniques to ensure its safety.
リサーチ: In order to bring out the concept of Mayday's 25th anniversary, the program uses Mayday's music as a time machine to lead the audience back to the day that belongs to their own memories. Through video content, the program expresses the spirit of adventure, reflecting on diverse issues such as self-identity, environmental conservation, and human nature, demonstrating the impact of music, and attempting to utilize AI animation technology to imagine another possibility of parallel worlds.
インスピレーション: 5525 is a large-scale tour by Mayday for their 25th anniversary. Their music from their debut to the present day is like a time machine that leads the audience back to the day of their own memories. The first of its kind in Taiwan, the giant spherical LED installation symbolizes the spirit of the five members and the souls of their fans. AI animation technology is also used to integrate the visual with virtual and real, giving the audience an unforgettable concert experience.
プロジェクト期間: The concert started on 31 December 2023 in Taichung, and continues touring around the world now.
オペレーションフロー: It’s a complete storytelling, sound, and light-integrated design experience, featuring original version and new arrangements songs. In addition to the sensory effects such as lights & lasers, the band's history and fans' memories are also interspersed in the video content. This kind of emotional resonance is the most fascinating part of the concert, as it doesn’t intentionally create a nostalgic and sentimental atmosphere, but rather reveals the common memory between the band and the fans inadvertently.
チームメンバー: Concert Director: Yu-Hsuan Wu
Concert Associate Director: Sih-Jie Chen
Production Manager: Ming-Wen Tan
Visual Director: Yen-Chih Chen
Visual Design: Yen-Chih Chen / Kuan-Wen Chen / Che-Teck Lim / Ya-Chi Yu / Yan-Tung Tsai / Yu Wang
Stage Design: Hsing-Hsin Lee / Chin-Hsiang Hsieh
Lighting Design: Hsiang-Lin Wu / Ssu-Chi Chen / Jian-Feng Sun
Laser Design: Chen-Chieh Hsia / Shao-Wei Lin
Live Sound Design: Chih-Yang Chuang / Shih-Chieh Huang / Leung-King Au / Yen-Kai Chuang
画像クレジット: B'in Music International Limited