See Our Moonlight Revels 舞台衣装 by Joyce Li

See Our Moonlight Revels 舞台衣装 by Joyce Li is a highly esteemed winner of the very prestigious 2025 A' Design Award 鉄賞 in ファッション・アパレル・衣服デザイン Competition Category.

鉄ファッション· 2025

See Our Moonlight Revels 舞台衣装

by Joyce Li

Client: Joyce Li

A' Design Award 鉄賞 Winner in ファッション Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About See Our Moonlight Revels 舞台衣装

「See Our Moonlight Revels（月光の宴を見よ）」は、『真夏の夜の夢』のティターニアを1920年代のフラッパーとして再解釈した舞台衣装である。ブラウスとパラッツォパンツからなる2ピースで、ポリエステルサテンの身頃の上に玉虫色のシルクシフォンを重ねている。フリルのストライプは一枚ずつ裁断し、シードビーズを施したうえでパンツに手縫いで縫い付けた。着用者が静止している際には、流れ落ちるパネルが股下を覆い隠し、パンツはドレスのように見える。動き出すとパネルが開き、ダンスのための完全な自由を与える。この衣装は、キャラクターの持つ力強さと優美さの双方を映し出している。

The Recognition

About the A' Design Award 鉄賞

See Our Moonlight Revels 舞台衣装は、よく設計された創造物に期待される専門的・産業的要件を満たす優れたデザインに授与される、権威ある評価である A' Design Award 鉄賞の受賞作品です。鉄賞の受賞作品は、制作者の高い技量、高度な専門性、専門家としての理解、創造的な能力を示しています。See Our Moonlight Revels 舞台衣装は、高く評価され、称賛され、愛される、実用的で革新的な創造物であることが期待されます。この A' Design Award 鉄賞を受賞したデザインは、業界のベストプラクティスを統合し、ノウハウと才能に結びついた有能な技術的特性を備えています。See Our Moonlight Revels 舞台衣装は、その徹底ぶりで尊敬され、世界をより良い場所にするための生活の質の向上をもたらすよう設計されています。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: See Our Moonlight Revels reimagines and modernizes Titania. It allows us to explore who she is and who she might be in a modern context. Bringing her into the 20th century highlights how her personality remains relatable to contemporary women. Her ability to embrace both romance and femininity while standing firm in her beliefs serves as a powerful reminder that assertiveness does not diminish one’s appeal, just as love and gentleness do not equate to weakness or insignificance.
Dimensions & Packaging: 1 look, total of 2 pieces in US size 4.
Tags: costume design, A Midsummer Night's Dream, Play, Women Empowerment, Movement, Hand Embellished, Flapper, Roaring 20's
Production Technology: This two piece set, blouse and palazzo pants are made in iridescent silk chiffon overlay polyester satin body. Stripes of ruffles are individually cut and adorned with seed beads then hand sewn to palazzo pants. When in movement, the panels on the pants fly open, portraying a hopelessly in love fairy queen spinning and dancing and the little gold beads appear just as many little fairies accompanying the love sick queen. The lightness of silk chiffon render Titania's graceful and sentimental charm.
Design Challenge: During the design process, the biggest challenge was creatively infusing my personal touch and perspective while ensuring historical accuracy to the 1920s. In my research, I was meticulous in distinguishing authentic 1920s trends from modern reinterpretations or reimaginings of classic styles. Within the constraints of maintaining a plausible flapper look, I conducted extensive research, drawing from vintage Vogue illustrations, photographs, digital museum archives, books, and articles that explored the spirit, lifestyle, and fashion of flappers. With all this in mind, I then had to capture the charm and essence of Titania, from A Midsummer Night’s Dream, and seamlessly translate her character into a 1920s flapper aesthetic.
Research: The research began with a close analysis of A Midsummer Night’s Dream, Act II, Scene I, focusing on Titania’s portrayal and any descriptions of her in the text. I then explored 1920s flappers through Vogue illustrations, photographs, digital fashion archives, and articles on flapper fashion to reimagine a modern Titania.The outfit is crafted from silk chiffon, which flows gracefully with movement, enhancing its ethereal quality. Flutter sleeves evoke the delicate impression of fairy wings, adding to the character’s whimsical and elegant essence.
Inspiration: See Our Moonlight Revels reimagines Titania, fairy queen from A Midsummer Night’s Dream, as a 1920s flapper. The flapper movement, a defining step toward women's liberation, parallels Titania’s strong-willed and assertive nature.

In Act II, Scene I, Titania’s argument with Oberon unveils both her rebellious spirit and unwavering maternal devotion. "Set your hearts at rest. The fairy land buys not the child of me," she declares. Her duality—commanding yet nurturing—perfectly reflects a time when flappers defied societal norms.

In 1920's wearing pants remained a rarity—reserved mostly for revolutionaries. A woman in trousers was a quiet act of defiance, a symbol of freedom and progress. With this in mind, I designed palazzo pants that appear as a skirt when still but reveal their structure in motion. This design mirrors Titania’s duality and the evolving role of women.
Project Duration: The set was produced in Vancouver, Canada.
Operation Flow: When standing still, the wide leg pants with cascade panels conceal the inseam of the palazzo pants giving the illusion of a dress. As soon as movements begin, the pant legs are revealed, giving the performer full mobility to dance. The hand sewn beads flicker and shine under stage light, adding dimension and texture. In addition, the costume presents two contrasting personalities when the wearer is motionless v.s. in action. This helps render Titania's subtle emotional shift thought out the play.
Image Credits: Photographer: Liz Dungate
Model: Lizbell Agency
Hair: Eros Liu
Make Up: Oz Zandiyeh