Mengtai Group 企業展示インテリアデザイン by Yibin Yang

Mengtai Group 企業展示インテリアデザイン by Yibin Yang is a highly esteemed winner of the very prestigious 2026 A' Design Award 銀賞 in インテリア空間・展示デザイン Competition Category.

銀インテリア· 2026

Mengtai Group 企業展示インテリアデザイン

by Yibin Yang

Client: Juji Culture (Beijing) Co., Ltd.

A' Design Award 銀賞 Winner in インテリア Category

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Verified Award Winner

Verify Award Status for #173885

View at A' Design Award Press Release Award Badge

Colors

The Design

About Mengtai Group 企業展示インテリアデザイン

モンタイグループ・ハードテクノロジーパビリオンは、内モンゴル自治区オルドス市に位置する企業展示インテリアである。パビリオンは約4,500平方メートルの規模を有し、ショールーム、パブリックアート作品、屋外の彫刻的インスタレーションを含む。展示パネルや縮尺模型に代わり、工業生産ラインから導き出された空間言語が用いられている。壁面はアルミパネルによって構成され、床にはアルマイト処理を施した特殊形状のアルミ部材を採用し、目地は0.2ミリメートル以内の精度で管理されている。裸眼3Dシステムと全長22メートルのCAVEシアターが、来場者を循環する物語体験へと導く。

The Recognition

About the A' Design Award 銀賞

Mengtai Group 企業展示インテリアデザインは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Mengtai Group 企業展示インテリアデザインは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Mengtai Group 企業展示インテリアデザインは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Situated in the expansive landscapes of Ordos, Inner Mongolia, the Mengtai Group Hard Technology Pavilion presents a fresh spatial narrative that includes a new corporate showroom, upgraded public artworks, and a series of outdoor sculptural installations. The design seeks to inspire a comprehensive and profound exploration of the origins of science, its spirit, belief system, dreams, ways of understanding, methodologies, perspectives, wisdom, philosophy, and its enduring mission
Dimensions & Packaging: The project covers an area of approximately 4,500 square meters
Tags: Exhibition, Hard Technology, Science Fiction, Mechanical Style
Production Technology: The Mengtai Group Hard Technology Pavilion places strong emphasis on the relationship between structure and form, embracing a mechanical and industrial aesthetic. Through precise structural design and meticulous detailing, combined with a variety of machining techniques, the pavilion showcases the authentic appeal of hard tech.
Design Challenge: The interior of the exhibition space avoids the conventional use of display boards and scaled models, instead translating the precision of industrial production lines into a spatial language. The walls are assembled entirely from aluminum panels; the floor is laid with anodized, custom shaped aluminum elements, with each seam controlled to within 0.2 millimeters.
Research: The design translates the philosophy, while science fiction writers build worldviews with words, designers should trigger cognitive revolutions through space, and If writers strike with dimensional reduction, then designers must elevate thought through spatial dimensions into concrete practice. Applying topological thinking to reconstruct the company’s history, the project embeds the concept of the Klein bottle’s cyclicality within the CAVE theater. The solution maximally embodies the core philosophy,of Mengtai Group,to make finite resources infinite, and to make infinite undertakings green.
Inspiration: Departing from the standard formula of corporate pavilions, poster boards + models + screens, the Mengtai Group Hard Technology Pavilion reimagines exhibition storytelling with a bold deconstruction of form. All content is distilled into the main lobby of the Technology Building, where a new narrative unfolds: from the present to the past, into the future, and ultimately back to the now offering a cyclical, immersive journey through time and innovation.
Project Duration: This project is located in Ordos City, Inner Mongolia Autonomous Region, and the entire project design was completed on April 1, 2025.
Operation Flow: When it comes to materials, the Mengtai Group Hard Technology Pavilion takes a daring approach, pushing the limits of materials, craftsmanship, and procedures by integrating multiple advanced metal materials and processes that break from traditional construction methods. The naked eye 3D system delivers realistic, floating images in mid air with a strong sense of depth, presenting clear and vivid visuals that remain unaffected by bright light sources, truly achieving the magical effect of seeing without touching. Meanwhile, the 22 meter long CAVE theater takes immersion to the extreme.
Team Members: Yibin Yang