Wonderland 展示センターインテリアデザイン by Chengzhe Zhang

Wonderland 展示センターインテリアデザイン by Chengzhe Zhang is a highly esteemed winner of the very prestigious 2020 A' Design Award 銀賞 in インテリア空間・展示デザイン Competition Category.

銀インテリア· 2020

Wonderland 展示センターインテリアデザイン

by Chengzhe Zhang

Client: Shanghai Hongshida Real Estate Development Co., LTD

A' Design Award 銀賞 Winner in インテリア Category

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Verified Award Winner

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View at A' Design Award Press Release Award Badge

Colors

The Design

About Wonderland 展示センターインテリアデザイン

「ワンダーランド」は、中国・上海に位置する展示センターのインテリアである。明代の画家・仇英による山水画『桃源仙境図』に着想を得たデザインで、静謐な空間にグリーン、ピンク、ホワイトのトーンを取り入れている。まずグレーのスレート壁が視線を遮り、動線に沿って進むと高さ10メートルのメインホールが現れる。中央の通路は、会議エリア、展示エリア、そして茶室へと導く。床置き式の書棚と幾何学模様の抜かし彫りスクリーンが各エリアを緩やかに仕切る。5,000枚を超える桃の花びらによる吊り下げ式ガラスインスタレーションは、すべて手作業で取り付けられた。

The Recognition

About the A' Design Award 銀賞

Wonderland 展示センターインテリアデザインは、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。Wonderland 展示センターインテリアデザインは、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。Wonderland 展示センターインテリアデザインは、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensions & Packaging: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tags: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Production Technology: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Design Challenge: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Research: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Inspiration: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Project Duration: The Project started in January 2018 in Shanghai China
Operation Flow: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Team Members: Mingxin Lu
Yunhui Tang
Image Credits: Main Image: Photographer Hai Zhu, 2018