Taipei C House Aslugen agejdan n twaturt sɣur Chu Cheng Chang

Taipei C House Aslugen agejdan n twaturt sɣur Chu Cheng Chang d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2021

Taipei C House Aslugen agejdan n twaturt

sɣur Chu Cheng Chang

Amsaɣ: CHU CHENG Design Interior Co., Ltd

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

8,318

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #110123

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Taipei C House Aslugen agejdan n twaturt

Taipei C House d axxam n tikli yellan di Taipei, Taiwan. Axxam-agi yezga ɣef wazal n 92.56 lmitrat imrawen, yerna deg-s tawwurt n tuqqna, tazzla n tiliwa, texxamt n tem莲a, taxxamt n tuɣalin, taxxamt n tɣuri, snat n texxamin n iḍes akked snat n texxamin n uḥemmam. Lqewalb ur nettwaḥsab ara d lqewalb imezwura ttbeddlen amagrad n uɛnaqal aẓayan. Tiɣmiwin n Terrazzo iɣellibnen d ifecka n uzzal yettwaqecɛen s laser sɛant lḥal n usebded n wudmawen imẓewrgen deg imukan yettwabḍan gar imzeɣ. Iɣellibnen d itiran ttwaǧǧan-ten d ibanen, kra n tafat tuffirt tettwasbedd deg imukan n tuɣlift n usebbal. Tiwwuriwin timeqqranin n uwenniɣ sɛant lḥal n kcum n tafat n tnaẓurt akked yiwenniyen ɣer daxel n texxamin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Taipei C House Aslugen agejdan n twaturt d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Taipei C House Aslugen agejdan n twaturt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Taipei C House Aslugen agejdan n twaturt yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The design team adopts irregular design, breaking the stereotype of the square impression in the space. Also, they transform the interior into a forest image, and they merge with the concept of honeycomb and cave, echoing the work configuration with the natural ecological environment. Moreover, they adopt large glass windows so that the outside sceneries accompany the interior design, breaking the distance from nature.
Tigejdiwin & Akemmus: The floor area is about 92.5624 square meters. The layout includes an entrance, a dining room, living room, kitchen, and it has a master bedroom, a child bedroom, two bathrooms, and a study room.
Tibzimin: Wabi-sabi design, post-modern style, simple style, curved surface, cylindrical design, special building materials
Tasnakta n Ufares: The designers adopt terrazzo cylinders and laser-sculpted wave panels to create a post-modern and irregular space expression in the public sphere. They deliberately expose the beams and pillars directly in the room. The columns take good advantage of the terrazzo to shape the arc-shaped corners, and indirect lighting is made at the ceiling joints. With the cement polishing and the vision of the same tone and texture wall, the beams in the guest and dining room present interlacing geometric linear vision of polishing cement wavy board and black steel brush veneer in the public sphere.
Asewḥel n Usnulfu: The child is in early childhood development, so the designers need to set up facilities that children can have activities and can play in the space. Thus, the designers adopt stones to pave a consistent and continuous floor in interior and exterior, creating an unconfined field without obvious distinctions and corners. Moreover, they reserve the floor-to-ceiling windows of each bedroom, allowing natural light and the indoor structure to create an open and bright feeling.
Anadi: The designers adopts terrazzo, laser cutting corrugated steel sheet and grayscale paint based on the spirit of the ancient Japanese culture "Wabi-Sabi". Lots of terrazzo and cold color tones inject the philosophy of inaction into the enlarged sense of space. Compared with the light and white public spheres, the steel brush made of solid wood is adopted to spray paint. Both bedrooms continue the main design idea of the exterior, and more transparent lighting techniques and natural wood veneers are adopted to add a closer and better comfortable atmosphere in the bedrooms.
Aseḥbiber: Through thinking the picture of "home", the designers believe that not only its due functions, the home but also should be a place where clients can completely relax, tolerate, and restore their bodies and minds. In order to create such a healing sense, the team gets rid of the traditional design techniques that focus on form expression and style fabrication, and they concentrate entirely on the relationship between materials in the structure. With several cool-tone building materials, they outline a sense of volume in the interior.
Tanzagt n Usenfar: The project is finished in February 2020 in Beitou Dist., Taipei City, Taiwan.
Tanila n Umahil: When entering the door, the entrance area surrounded by columns and corrugated steel sheet adds visual privacy from the exterior to the interior in terms of functions. The corrugated steel sheet shapes the curved facade, and with the integration of the cabinet, it creates a clean and traceless storage function. A large amount of stone in the space creates a feeling of enlargement due to the relatively cold texture. However, space may have a risk of excessive indifference. In view of this, the designers adopt arc lines in the exterior to balance the cold texture.
Igmamen n Terbaɛt: Chu-Cheng Chang, Pi-Chuan Pai
Imsuren n Tugniwin: HEY! CHEESE, 2020.