Tianjin Zarsion Ammas n Temsikent sɣur RUF Architects

Tianjin Zarsion Ammas n Temsikent sɣur RUF Architects d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lplatin deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LplatinTansekta· 2021

Tianjin Zarsion Ammas n Temsikent

sɣur RUF Architects

Amsaɣ: RUF Architects

Anerbaz n Tarbaḥt A' Design Award n Lplatin deg Taggayt n Tansekta

221,114

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #114671

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Tianjin Zarsion Ammas n Temsikent

Tianjin Zarsion d ammas n temsikent yebnan rrif n yiwen n uḍru n wasif Yongding di Tianjin, di Ccinwa. Aɣawas-is yesseqdac talɣa n tmiqwa n waman yersen s uzeglu ɣef wadeg, ayen yessiɣzifen abrid seg yiri n temdint ɣer tewwurt n unekcum. Isennanen lqayen d yiɣerbazen imeqqranen n djaj xelqen-d ssqef fessusen i d-ittbanen am akken yettafeg ɣef waman. Talɣa-s tebna s umata s usɣar, yettwasekmel s wuzzal, u 68 n tgejda n usɣar n uzemmur azeggaɣ yersen s tneqqiḍin ttalsent-d akatar yekwan am tsiwant. Tmanya n tgejda n usɣar deg daxel ǧǧant-d azal ameqqran mebla tigejda. Yiwen n ṭṭaq n ssqef s talɣa n yifer yettwaseggem akken tafat n daxel ad teqqim tleggwaɣ, thedden.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lplatin

Tianjin Zarsion Ammas n Temsikent d amerbaḥ n Tarbaḥt A' Design Award n Lplatin, tagmat ɛlayen i yisnulfa yesɛan tmahilt ur nesɛi amgarad. Imerbaḥen n Lplatin ttbanen d timusniwin n tezmert n yimahilen-nsen. Tianjin Zarsion Ammas n Temsikent yesɛa tinawt tamaynut, tazmert d lqima ɛlayen, yerra ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Architects initially tried to use symbolic architectural language to establish a connection with the historical environment.

As to layout, water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the shape more intuitive. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees.
Tigejdiwin & Akemmus: The interior 8 wooden columns and the 3 diagonal wooden columns at the front make the structure realize the 34.0mx14.5m indoor column-free space and the 3.7m outdoor cantilever.

The smoke-gray aluminum-magnesium plates, ultra-white tempered glass, small faceted spruce suspended ceiling and leaf-shaped exterior outline create an honest expression of microscopic stress.
Tibzimin: Innovative, New Experience, Polysemy, Community, Commercial, Dynamic, Architecture, Interaction
Tasnakta n Ufares: The project’s structure went through three rounds of schemes, and final scheme is dominated by wood structure and supplemented by steel structure.

The concept of three rings is adopted. The roof uses the skylight and the beam columns to realize force conversion. The cornice is made of steel structure and the rest is made of wood structure to achieve perfect radiating effect.
Asewḥel n Usnulfu: The project was completed in the form of wooden structure. The biggest challenge in the process of project implementation is the large span and overhang in the structure. After several rounds of structural tests, the final shape is umbrella-shaped spoke-type arched architecture scheme, which is formed by inner, middle and outer circular steel beams and 68 radial red pine beams.
Anadi: At the initial design stage, the external place is not clearly defined, and the relationship between the building and the place presents a sense of spontaneous floating. Along with the design development forwarded, metaphorical polysemy emerges. Architects use the cavities of roof sheathing and inclined beams as well as the cavities of main ring beams to hide all pipelines involving water, electricity, air conditioning and so on.
Aseḥbiber: The project locates next to a meandering tributary of the Yongding River. In this vast expanse of grass, the external place is not clearly defined.

The design started with the roof, architects initially tried to use symbolic architectural language to establish a connection with the historical environment. This is like a crystal clear water drop quietly dissolves into the endless winding river. However, with the gradual development of the narrative, metaphorical polysemy emerges.
Tanzagt n Usenfar: The project started in July. 2019 in Tianjin Municipality, China and was completed in March 2020.
Tanila n Umahil: The building does not have a clear main entrance. Three exposed diagonal wooden posts are used to define the entrance space at the front.

To enter the exhibition space from the front, visitors will enter a lower transitional space under the eaves, and then gradually move to the space under the leaf-shaped skylight, which is covered with light. We deliberately control the interference of excessive direct light through the size of the skylight, so as to ensure the soft and quiet space atmosphere inside.
Igmamen n Terbaɛt: RUF Architects
Lead Architect：Qian Mingbo
Design Team：Song Xinhua,Wu Meihong, Rao Zeming, Ji Changshuai
Imsuren n Tugniwin: Photo Credits: Hu Yijie