ZDCollections Tasnaḍt n Wedlis sɣur Xue Jiang

ZDCollections Tasnaḍt n Wedlis sɣur Xue Jiang d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Umagrad d Umidya Yettwaɣran.

UzzalAmagrad· 2021

ZDCollections Tasnaḍt n Wedlis

sɣur Xue Jiang

Amsaɣ: 869 School of Design

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Amagrad

11,455

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #119748

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef ZDCollections Tasnaḍt n Wedlis

ZDCollections d adlis i d-yesbeggen ixdamen n usnaḍ n useggas i tlata-w-εecrin n yinelmaden. Tira tis-4 n tegrumma-agi tebḍa ixdamen yettwafernen ɣer tsefsiyin, tugniwin, RGB akked yiferdisen-nniḍen, sakin ttwaseblen daɣen ttwaskaren s tarrayt tamaynut. Aseɣwen n tebdert yeffeɣ i tferka tunṣibt akken ad d-isbeggen anamek n yal axeddim. Agilal yettwaxdem s umadal n lazir i yesserwan tilas gar ini akked tugna, akken lwelha ad teṛs ɣef mkul kra n ugbur. Adlis-agi yesεa lqedd n 150 x 252 milimitr, s 430 n yisebtar.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

ZDCollections Tasnaḍt n Wedlis d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. ZDCollections Tasnaḍt n Wedlis ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This is the fourth whole point collection, named The Whole-point Fourth Collection. All the outstanding designs of 23 students in one year are divided into fonts,graphics, RGB and other elements, and then rearranged and combined. This collection breaks the traditional regular frame typesetting and adopts a breakthrough design technique to better show the inner meaning.
Tigejdiwin & Akemmus: Book 150mm x252mm
Format 880mm x1230mm 1/16
Page 430
Tibzimin: ook design, portfolio, font design, brand design, graphics, RGB
Tasnakta n Ufares: Breaking the traditional regular frame type layout, and adopting breakthrough design techniques to better show the inner meaning of his works. Through the layout and design of the page, the text is combed as a whole, so that readers can have an effective effect on the understanding of the text content and feel the pure fluency brought by reading. Strictly control the color saturation, ink penetration and image reduction of printing quality.Pay attention to the quality and details of each link of the binding,and increase the pleasure of its readers.
Asewḥel n Usnulfu: In this design, the most difficult part is the book cover design. We think about how to convey the information in the book to readers through visual expression. And did a lot of related investigations and data collection. In the end, a laser material was selected to illustrate the theme of the entire book, so that the cover and the inner pages are better connected.
Anadi: This book divides the excellent design works of 23 students in one year into fonts, graphics, RGB and other elements, and then rearranges them. Through the choice of paper, the layout design, the composition of the rhythm space of the content, the application of fonts, the way of binding, etc., as well as the overall expression of content and form, it brings a sense of pleasure to the five senses.
Aseḥbiber: The inspiration of book cover design comes from the blur of color and graphic boundary.Fuzzy book itself is a design work,which is used to rearrange different design works on the inner pages of the book,so laser material is used to design the cover and then blur the overall sense of the book. At the same time,let readers pay more attention to the content of the book.
Tanzagt n Usenfar: The work started in Dalian in July 2019, completed in Dalian in March 2020, and was exhibited at Dalian Bingshan Huigu in May.
Tanila n Umahil: The book integrates its content style, table design sequence, etc. By blurring the color and graphic boundaries, blurring the book itself is a design work, which corresponds to the rearrangement of different design works on the inner pages of the book. Therefore, the cover is designed with laser materials, which blurs the overall feel of the book and makes readers pay more attention to the content.
Igmamen n Terbaɛt: Creative Director:Xue Jiang
Art Director:Shiyu Ma
Designer:Xue Jiang
Typographer:Yaoqian Han
Copywriter:Shuai Shao