Fissure Tawsit n Loyher sɣur Lingjun Sun

Fissure Tawsit n Loyher sɣur Lingjun Sun d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Lḥelya.

UzzalLḥelya· 2021

Fissure Tawsit n Loyher

sɣur Lingjun Sun

Amsaɣ: Lingjun Sun Jewellery

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Lḥelya

14,394

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #120295

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Fissure Tawsit n Loyher

Fissure d tawsit n loyher yettwasumren seg tcerriḍin i d-ițbanen di tgejdit n ugris yettferḍen akked wakal iqquren. Yal aḥric yețwaḥeddem s ufus s ccama ar tugna tadigganit s tlata n telqamin, s izirigen i yeṭṭafaren wid n tɣawsiwin n tfellaḥt. Tanurḍit-agi tettili s tazwara i lḥeǧǧaǧ, tessers-ed tigawin izeddgen si tɣawsiwin i d-iban am akken d ayen n leɛqel. Aslugen n ccama yețrusun, aseblel n wedɣaɣ, aslulɣu n uzref d wesbelli s wurẓiyum aberkan i itemmen yal aḥric. Iɣimasen d ddheb awraɣ n 18K, tiqecwal n loli n tama n Semmus ta Ṣaharit d yiḍudan icebḥanen. Amgired n yini yesbeggen-d tugniwin ur netbaddad ara, tijmuɛin d timcemcalin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Fissure Tawsit n Loyher d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Fissure Tawsit n Loyher ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Each piece of this collection is hand-carved into a three dimensional lattice with lines mimicking those found in nature - a technique developed in my MA program in London. A thoughtful design logic hides between the organic lines of each piece, forming accordingly around the gems, contributing to balanced compositions of seemingly random components.
Tigejdiwin & Akemmus: Ring No.1: 41mm x 27mm x 19mm; Earrings No.1: 32mm x 32mm x 7mm; Earrings No.2: 55mm x 14mm x 11mm
Tibzimin: wearable sculpture, art jewellery, one of a kind, volume, asymmetry
Tasnakta n Ufares: Each piece was hand-carved from wax to create the structure, according to the design needs or specific gem shapes. Lost-wax casting was used later. Stone setting, metal finishing and black rhodium plating were also applied. 18K yellow gold, south sea baroque pearls, white diamonds.
Asewḥel n Usnulfu: Seemingly randomness, asymmetrical structure, fine surface texture, together with unique form of each piece in the collection made 2D rendering or computer tools nearly impossible. Every piece required significant time and carving craftsmanship to model and test in physical prototypes. Further detailed adjustment was processed with additional remarkable time and effort.
Anadi: Extracting a two dimensional pattern that widely found in nature to a three dimensional form requires large scale of visual analysis and model construction. Carefully designed structure, texture and colour, together serve the design logic hidden behind these seemingly random lines.
Aseḥbiber: 'Fissure' is a collection inspired by the crevices in melting ice caps and dried earth, echoing the growing environmental crisis we are living in.
Tanzagt n Usenfar: The project started in August 2020 in Sydney, and was exhibited in NYC Jewellery Week 2020
Tanila n Umahil: The designs were inspired the crevices in melting ice caps and dried earth. Wearers are experiencing the organic, three dimensional and asymmetrical forms of the collection. Its crisscrossing structure is further highlighted by colour contrast. Smooth and lustrous gems sitting in a carefully textured surface of the metal implies the incongruity human civilization and the nature.
Imsuren n Tugniwin: Image#1, 2, 3, 4: Photographer Charmaine Morgan, 2020, Image#5: Photographer Lingjun Sun, 2021