Ɛeddi ɣer ugbur
Livre Armchair sɣur Federica Biasi

Livre Armchair sɣur Federica Biasi d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.


DdhebIferrasen· 2021

Livre Armchair

sɣur Federica Biasi

Amsaɣ: Gallotti e Radice

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Iferrasen

40,325

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #120597

Initen

Afeṣṣel

Ɣef Livre Armchair

Livre was born from the idea to blend together the desire for the concept of an Asian-inspired product with the actual perspective of GallottieRadice. The result of this is an armchair that could be define hybrid for the craftmanship applied to the solid wood base; the upper part is instead an enveloping armchair, that feels like a cocoon, very elegant in its shape in contrast with the base which is thick but at the same time tapered, interesting and very soft as a whole.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Livre Armchair d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Livre Armchair ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
Livre was born from the idea to blend together my desire for the concept of an Asian-inspired product with the actual perspective of GallottieRadice. The result of this is an armchair that could be define hybrid for the craftmanship applied to the solid wood base; the upper part is instead an enveloping armchair, that feels like a cocoon, very elegant in its shape in contrast with the base which is thick but at the same time tapered, interesting and very soft as a whole.
Tigejdiwin & Akemmus
L 82 x P 74 x H 67 cm
Tibzimin
Armchair, Design, Furniture, Gallotti&Radice, FedericaBiasi, Livre, Product design, Armchair
Asewḥel n Usnulfu
The most difficult creative challenge in this project was to combine the softness of the shapes with the desire to highlight one of the main elements of the armchair: the wooden base. My aim was precisely to obtain soft and welcoming lines without neglecting the comfort of the seat, but still leaving the structure evident.
Anadi
Livre is somehow particular as I have been studying Asian and Japanese design for a long time, and I wanted to understand how to incorporate something that was not already seen into a concept like the one developed for GallottieRadice; at the same time, something that could communicate their uniqueness, the uniqueness in working raw materials, the uniqueness not only in the richness of materials, but also the elegance in shapes, so I tried to blend together my desire for the concept of an Asian-inspired product with the actual perspective of GallottieRadice.
Aseḥbiber
This armchair draws its maximum inspiration from the past and in particular from the Eastern world, where the base was composed of a structure in cylinders that were tied with ropes, thus leaving the entire structure visible. I like to think of today's furniture as citations of a past in continuous contact with the contemporary world, like an infinite search archetypes and the craftsmanship of past worlds.
Tanzagt n Usenfar
from 2018 to 2020
Tanila n Umahil
The soft line of the armchair invites to moments of absolute relax and comfort.
Imsuren n Tugniwin
Matteo Imbriani Photographer

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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