Shany Abdallah Naji Tazwart n twuri: Amdyaz n leṣnaɛa n uneɣmis sɣur Shany Dvora d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.
LfeṭṭaUnuɣ· 2021
Shany Abdallah Naji Tazwart n twuri: Amdyaz n leṣnaɛa n uneɣmis
sɣur Shany Dvora
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Unuɣ
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #121320Afeṣṣel
Ɣef Shany Abdallah Naji Tazwart n twuri: Amdyaz n leṣnaɛa n uneɣmis
Shany Abdallah Naji d amdyaz n yisirajen n uneɣmis i d-yesseḥyan yiwet n tanumi n tismawin n twacult. Tanumi-agi, i yfukken mi tzuɣr twacult si Lɛiraq ɣer Israyil, tefka i uduḥan amenzu isem-is amezwaru syen isem n baba-s d isem n jeddi-s. Amdyaz-agi yettwaxdem mi ufan iwriqen iqburen n zzuɣ n twacult. Xemsa n twuriwin s wallalen yemxalafen, ṛebɛa deg-sent s tektalt n 50 ɣef 70 santimitr yiwet daɣen s tektalt n 75 ɣef 70 santimitr, ttaǧǧant tugniwin deg tira n leɛbri i d-yekkan seg yidlisen s ufus n leɛbri n Lɛiraq, Yemen d Meṛṛuk yettwaxedmen gar lqern wis 12 d wis 15.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Shany Abdallah Naji Tazwart n twuri: Amdyaz n leṣnaɛa n uneɣmis d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Shany Abdallah Naji Tazwart n twuri: Amdyaz n leṣnaɛa n uneɣmis ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Tigejdiwin & Akemmus
- 4 works 50*70 cm
1 work 75*70 cm - Tibzimin
- Calligraphy, Typography, Hebrew, Eastern
- Tasnakta n Ufares
- Mixed Media
- Asewḥel n Usnulfu
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- Anadi
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Aseḥbiber
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Tanzagt n Usenfar
- 2018-2019, Israel
- Tanila n Umahil
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- Ibrivan
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- Igmamen n Terbaɛt
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- Imsuren n Tugniwin
- Shany Dvora
Yettwaxellṣen
Snirem Seld Designers.org
Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.
Ugar i tifin
Ifeṣṣelen yemcudden
Snirem ugar n ifeṣṣelen yewwin ammud seg twennaḍt-nni kan, ttwaferzent s lmeɛna.
