Ɛeddi ɣer ugbur
Herism Tawsit n Lqecc n Lɛeqqaq sɣur Fan Gao

Herism Tawsit n Lqecc n Lɛeqqaq sɣur Fan Gao d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Lḥelya.


UzzalLḥelya· 2021

Herism Tawsit n Lqecc n Lɛeqqaq

sɣur Fan Gao

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Lḥelya

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Anerbaz n Urraz Yettwasenqden

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Initen

Afeṣṣel

Ɣef Herism Tawsit n Lqecc n Lɛeqqaq

Herism d tawsit n lqecc n lɛeqqaq ideg llan iẓegḍaḍen, imeẓẓuɣen, aḍebsi d tzemmurt. Tawsit-agi tusa-d si ufecku n lxedma n tgrayin n tilawin i yebnan iɣezdisen d iberdan di Ccinwa deg useggasen n 1960 d 1970. Tiffuɣniwin ifeṣṣḥen d tbeṭṭutin tinamikyat smektayent-d taseg-agi, ma d tikuraf ilelliten ttmeslayent-d ɣef waṭas n tedrawin tigrawaniyin i tesɛa tmeṭṭut ass-a. Yal aḥric yettwaxdem s lfeṭṭa yeẓẓan s uwureɣ, yerna yettwarra fell-as udem n ẓẓher (lḥajeṛ n lqima) i d-yettwaxelqen di lmuxtabar, ur netteddu ara s tɣennant. Herism ittwaxtar akken ad yili d tugna n tezmert n tmeṭṭut akked d usaɣ ilqan i tegnit.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Herism Tawsit n Lqecc n Lɛeqqaq d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Herism Tawsit n Lqecc n Lɛeqqaq ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The independent attitude and confident female image of 1960s – 1970s Chinese "Iron Girls" suffuses this collection of pieces, bridging this energy into the new generation of contemporary urban Chinese career women. Exploiting technological advances in the manufacturing of Chinese synthetic gemstones and with innovative setting too, Fan is keen to emphasise the potential of "green purchase", a more sustainable thinking within Chinese jewellery.
Tigejdiwin & Akemmus
Rings-Middle:16*15*35mm, Lower Right Ring:15*12*32mm, Upper Right:25*10*30mm, Lower Left: 31*15*35mm, Upper Left:35*20*27mm, Earring:20*18*10mm, Bracelet:125*30*3mm, Brooch: 70*22*5mm
Tibzimin
New Iron Girls, Female Power Inheritation, Female Symbol, Rings, Bracelet, Earrings, Brooch, Sustainable, Green Purchase, Lab-Grown Gemstones, History
Tasnakta n Ufares
Production Process: 3d digital modelling, 3d wax print, Casting, Model modification, Stone setting, Finishing; Material: Silver with gold plated, Lab-grown gemstones
Asewḥel n Usnulfu
Realizing the design details was the big challenge, especially the stone setting and soldering the thin chains into the hollow structure with very limit space. It was through several experiences to figure out the best angle to set the stone into the metal body without any prongs in this collection which could reflect the insight of power.
Anadi
The research concentrated on the historical background of Chinese iron girls and the purchasing behavior of new career female from interview with iron girls, internship in Marie Claire China, case studies, books, journals, online articles and relevant market data. The research showed the potential of the group of target market and the sustainable purchase behaviour in jewellery market. All the research promoted the development of the project and completed the project in the academic way.
Aseḥbiber
All the design ideas are inspired from the working tools used by the 1960s –1970s all women manual work brigades who helped build the bridges and roads that are the foundations of modern industrialised China. This jewellery collection offers new symbols of female power and self-determination, encouraging the contemporary young generation, Fan's peers, to pursue their personal values bravely.
Tanzagt n Usenfar
The project started in October 2017 in London and finished in May 2019, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Merit. In 2020, the project was invited to participate the opening exhibition in An+ Art&Design Museum Shenzhen, "Living Fantasy Young Designer Exhibition", by China Design Centre. The production was finished in China.
Tanila n Umahil
Based on the historical background of Chinese iron girls in 1970s. It was a turning point that Chinese female started to get involve into workplace. The design combines the past (stone setting without prongs, bold shape, industrial structure evokes wearers the powerful and tough attitude of iron girls) and the present (flexible chains reflect multi social roles of female). It emphasises the experience and value of iron girls and bridges with the new iron girls. The jewellery for them is the symbol of female power.
Imsuren n Tugniwin
Image1,3,4,5
Photographer: Fan Gao
Image 2
Photographer: Hang Zhang
Model: Syrain
Stylist: Fan Gao

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