Rock Language Fonts Tasekkilt n Tutlayt n Wedɣaɣ sɣur Yilin Wang d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.
LbrunzUnuɣ· 2025
Rock Language Fonts Tasekkilt n Tutlayt n Wedɣaɣ
sɣur Yilin Wang
Amsaɣ: Communication University Zhejiang
Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Unuɣ
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #126414Afeṣṣel
Ɣef Rock Language Fonts Tasekkilt n Tutlayt n Wedɣaɣ
Rock Language Fonts d tasekkilt yebnan ɣef tugniwin yettwaxedmen ɣef wedɣaɣ n Idurar n Helan. Tazrawt n tugniwin-agi n wedɣaɣ tessken-d tiskilin yemcabhen i tsekkilin timirawin. Tigi tettwasedhent tettwaseddu deg yiwen n unagraw asekkilan. Tasekkilt-agi teṭṭef leckal n tnaturt akked wayen yellan d awuran deg tugniwin tiqburin, s wamek yeqqim d ayen yettwaɣran s wudem izeɣlanen. Teddikel n tsekkilin tezmer ad tettbeddal i yal tuseqqilt. Asenfar-agi yesken-d tugniwin tiqburin n wedɣaɣ am tutlayt tarusant yebḍan gar medden, yerna yeqqen izenza iqburen ɣer usenfar unaẓur n wass-a d yimedyaten izzuranen.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lbrunz
Rock Language Fonts Tasekkilt n Tutlayt n Wedɣaɣ d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Rock Language Fonts Tasekkilt n Tutlayt n Wedɣaɣ ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Rock Language Fonts Tasekkilt n Tutlayt n Wedɣaɣ yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- Through analyzing the Helan Mountain petroglyphs, we discovered many motifs resembling modern letterforms. Inspired by this, specific patterns were refined and adapted into a cohesive typographic system. The project reimagines rock art as a “universal language,” transcending cultural boundaries while preserving its historical integrity.
This typography combines legibility with storytelling, highlighting humanity's shared heritage. By emphasizing the organic forms and imperfections of rock art, the design retains its authenticity while integrating seamlessly into modern media, bridging ancient symbolism with contemporary design. - Tigejdiwin & Akemmus
- The size of the system will also change according to the change of the use scenario
- Tibzimin
- Petroglyphs, Chinese Tradition, Typography, Integrated Design, Poster, Internationalism
- Tasnakta n Ufares
- Through the topography of a large number of petroglyphs, we find similar shapes to the letters, and through a series of fine-tuning the font, etc., we finally form a series of works.
- Asewḥel n Usnulfu
- In the control of randomness of the letters, but also the need to unify the form of the font to avoid stylistic inconsistencies, but also the need to retain the original sense of petroglyphs
- Anadi
- Research Type: image research of local elements Research purposes: to modernize the design of Helan Mountain rock paintings, make them adapt to the international aesthetic style, and give full play to the contemporary value of ancient culture. Data collection: Yinchuan Helan Mountain rock painting research journal, Helan Mountain rock painting Museum. Research tools: graphic record, Photoshop, illustrator.
- Aseḥbiber
- From an exploration of petroglyphs, the designers found that the petroglyphs generated some ‘English’ between the graphics, which has a certain degree of serendipity, but this serendipity also exists objectively. The uncertainty of the style of the font symbolises the art of design with inclusiveness, diversity and individuality, which is exactly what the designer wants to explore!
- Tanzagt n Usenfar
- The project started in Hangzhou in September 2024 and was completed in Hangzhou in January 2024. It will be displayed in Helan Mountain rock painting International Art Festival in January 2024
- Tanila n Umahil
- This project turns Helan Mountain petroglyphs into a modern type system, blending ancient art with today’s design. It keeps the rock art’s natural feel while making it readable and universal, showing our shared history.
- Imsuren n Tugniwin
- Image #1 designer: Mengsheng Wang Ruilin Wang
Image #2 designer: Meitong Yu
Image #3 designer: Jie li
Image #4 designer: Shitong Yu
Image #5 designer: Jiarong Li
Yettwaxellṣen
Snirem Seld Designers.org
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