Overture of Daylight Aslugen n Uzal sɣur Yi Xiang Lin

Overture of Daylight Aslugen n Uzal sɣur Yi Xiang Lin d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2022

Overture of Daylight Aslugen n Uzal

sɣur Yi Xiang Lin

Amsaɣ: WJ Interior Design

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

7,923

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #127776

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Overture of Daylight Aslugen n Uzal

Aslugen n Uzal d asnesli n uɣawas azadaɣ i wexxam yettwaselken i unebgi n inebgawen. Ttwakksen-d tiferka izeddigen gar tkuzint, texxamt n učči akked texxamt n uzdeɣ, ideg qqimen kan lḥwayeǧ d lmeqyisat i wakken ad d-mmlen mkul tamnaḍt. Aḥric uldi ig'anaw agejdan ittawi-d tamnaḍt tettbin d tameqqrant akteṛ, teshel i tuddsa n tid'wat. Tiwwuriyin timeqranin n Fransa ttawint-d tafat n wass, ternu ɣur-sent tiqecwal iɛeddlen d ttbaqat izzayriyen (japunit). Aveɣbur amellal, ttexta, iferḍas n ttexta d wezṛu sɛan-d tamlist tarusant i teḥmilt. Aḥric n usnebgi ideg yella "tatami" akked tqecwart taxatart n ttexta ttɛawanen a d-qeblen inebgawen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Overture of Daylight Aslugen n Uzal d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Overture of Daylight Aslugen n Uzal ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: As the client has the need to host, the designer has broken through the stereotypes of space concepts. The clear partitions between the kitchen, dining room, living room, and so on are diminished by the conceptual implication of utilizing ornaments which have made the inner space visually broaden, and also the client can use the house for banquet much more conveniently. Moreover, the designer has established large French casements to introduce more sunlight into the mansion which is consistent with the light-adjusting blinds and Japanese lattices in the room, making the interior space brighter.
Tigejdiwin & Akemmus: The designer has planned the flow line of the main bedroom carefully such as the blank aisle behind the bedside which has not only widened the leisure space but also preserved the space for storage, redefining its scenery of it. Furthermore, the designer has combined different materials together to build the door of the closet so as to correspond with the elegant space concept. The partition of the bedside is chosen in simple color so as to make it consistent with the closet behind it. Also, the design of the cladding of the circular arc camber with the bedside lamp chandelier has given the bedroom a comfortable and relaxed mood.
Tibzimin: Japanese leisure mood, brighter, modern, elegant
Tasnakta n Ufares: The designer has established the space an elegant ambiance with simple colors such as white paints, wood material, and stones. By utilizing natural materials such as wooden makings, veneers, and slates, the space has been outlined in a gentle image. Moreover, the lightweight wooden TV wall matches with the wooden lattices have established a refined Japanese style. In addition to the bright atmosphere, the designer has put a dressing mirror at the entrance, which is a bold skill that fulfills the transparency and brightness of visual perception.
Asewḥel n Usnulfu: In order to meet the expectation of hosting guests, the graphic design has eliminated the traditional definition of domain and has brought in a little concept of the clubhouse. Therefore, instead of a distinct partition, the designer has used ornaments, furniture, and other functional items to imply the domains so that the graphic design of the interior needs to plan the flow line of the public domain carefully which has been discussed with the client over and over. Finally, they have come to a decision that has also made the house a place for hosting and resting.
Anadi: The client has the need for hosting and expects the space can accommodate as many people as it can, and also wishes all the guests can share the same mood when staying in it. Therefore, the designer prime consideration is the space concept of the public domain. Considering the sufficient sunlight of the house, the designer has demolished the partition between each area so that the natural lights can supply the whole space. The designer has used the materials in low Chroma to decorate the house such as simple materials which have expressed the quiet and elegant features.
Aseḥbiber: The daylight appears in slow-motion with the shadow of the cloudy, and the window eaves are like the horizon in the distance. The warm sunlight has accompanied by the overture of the space filtering into the room, making the living room bright and quiet. WJ Design has taken advantage of the natural sunlight, supplemented with a bold texture that utilizes geometric lines, sunlight, and plain materials to break through the stereotypes of leisure space, creating a Japanese relaxing style.
Tanzagt n Usenfar: The project finished in June 2020 in Kaohsiung.
Tanila n Umahil: The designer has taken the client expectation of hosting into consideration. Hence, by using wooden materials, simple building stones, and a gentle color tone, the designer has established a Japanese leisure style that is bright and clear. In order to fulfill the purpose of entertaining guests, the designer has built a reception room which is in Japanese style and the painted wall has created an image of mountain and river. By utilizing Tatami as the foundation of the room, supplemented with a low wood platform under the windowsill.
Igmamen n Terbaɛt: YI-XIANG LIN, CAI-JIE LIN
Imsuren n Tugniwin: WJ Interior Design