Ɛeddi ɣer ugbur
Harvested Pavilion Aslugen n Wexxam Agensasan sɣur Yan Lin Wu

Harvested Pavilion Aslugen n Wexxam Agensasan sɣur Yan Lin Wu d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LbrunzAgensu· 2022

Harvested Pavilion Aslugen n Wexxam Agensasan

sɣur Yan Lin Wu

Amsaɣ: AS Interior Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

10,431

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #128083

Initen

Afeṣṣel

Ɣef Harvested Pavilion Aslugen n Wexxam Agensasan

Aẓayer n Harvested d aslugen agensasan n wexxam yekemmlen deg Taiwan deg useggas 2021. Axxam-a yezga ɣef 35 ping, yegber tawwurt tamezwarut, tazeqqa n zdat, tazeqqa n leqraya tuɣ-tuldi, sin ixxamen n yiḍes akked snat n tzeqqiwin n uḥemmam. Aḥric n usebter n uzeṭṭa ubeḥri aberkan yeṭṭef leḥyuḍ, ma d butik n leqmac s yini afessas akked tafat n wass tsserḥu tudert deg daxel n wexxam. Tazeqqa yellan zdat leḥyuḍ n tvizyu tettwakkes, tuɣal-d s tezqqa n leqraya tuɣ-tuldi zdat tazeqqa n zdat. Abeddel-a yeṣṣeḥḥeḥ aḥric ur nesɛi ara tamsalt tunṣibt, yerna yesserḥ tallunt yettwabḍan gar imezdaɣ. Asḍebbez n titan yezga ɣef ssqef, yerna ihud abrid n tikli deg daxel n wexxam.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Harvested Pavilion Aslugen n Wexxam Agensasan d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Harvested Pavilion Aslugen n Wexxam Agensasan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Harvested Pavilion Aslugen n Wexxam Agensasan yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The interior space must be surrounded by the atmosphere of (autumn). After several thoughts, the designer decided to capture the unique quiet poetry of the autumn grass and trees and the passing of time. Applied dark wooden grains often seen in autumn street scenes to pave the wall facade. In the design of the public area, the designer removed the redundant space on the TV wall and placed a semi-permeable open study on the side of the living room; not only corrected the space but also made the overall area more transparent and spacious.
Tigejdiwin & Akemmus
The 35-ping interior area includes a public area, an entryway, a living room, a semi-open study. In contrast, the private area consists of the master bedroom, a secondary bedroom, a master bathroom, and a secondary bathroom.
Tibzimin
autumn, transparent, spacious, low-color and light-toned seasonal sense
Tasnakta n Ufares
Changhong glass, solid wood veneer, titanium plating, tawny glass, SPC board.
Asewḥel n Usnulfu
In the beginning, the designer had to face problems of space distortion and too many partitions. To adjust the space to fit the client lifestyle, the designer removed the room initially located in front of the TV wall after communicating with the client and replaced it as an open-end study on the side of the public area. It increases the living and dining room use of space, eliminates space deformities, and creates a square and airy living space.
Anadi
The change effectively digested the original overly fragmented spatial lines by arranging the public area lines in a relaxed way while using soft furnishings to imply the definition of the space. Before the design, the client expressed the hope of revealing the poetic atmosphere of (autumn); for this reason, used low-contrast solid wood veneer to pave the facade of the space, and combined with low-limit furniture tones to interpret the impression of autumn grasses and trees. The titanium-plated metal surrounding the ceiling shape to present a soft visual mood also connects the spatial movement
Aseḥbiber
As Rabindranath Tagore wrote in his famous poem (Stray Birds): (Let life be beautiful like summer flowers and death like autumn leaves.) It has romantically and fully interpreted the philosophy of life from the contemporary literary giants. In this design, the client expressed his desire to feel the atmosphere of (autumn) in the space; therefore, the AS Interior Design team captured the quiet poetry of the slow disappearance of autumn and applied dark wood grains to enclose the area while combining light-toned furniture and natural daylight to outline the light shadow of fall gently.
Tanzagt n Usenfar
The project finished in March 2021 in Taiwan.
Tanila n Umahil
The designer turned the original odd space into a semi-open study by rearranging the floor space; redundant space on the side of the TV wall was also removed to make the public area more transparent and spacious. On the wall facade, the designer highlighted the visual landscape of wood grains with indirect light sources, which extended the movement guidance and allowed residents to live more freely.
Igmamen n Terbaɛt
Yan-Lin Wu, Xiu-Na Xu, Yu-Cheng You
Imsuren n Tugniwin
AS Interior Design

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