Yatsugatake Villa Aqeddac sɣur Kiyotoshi Mori and Natsuko Kawamura

Yatsugatake Villa Aqeddac sɣur Kiyotoshi Mori and Natsuko Kawamura d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LbrunzTansekta· 2022

Yatsugatake Villa Aqeddac

sɣur Kiyotoshi Mori and Natsuko Kawamura

Amsaɣ: MDS Co., Ltd.

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

11,287

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #129187

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Yatsugatake Villa Aqeddac

Yatsugatake Villa d axxam n unebdu yellan deg temdint n Hokuto, Yamanashi, Japan. Abna-ya yettwabna s tlata n tqecwalin s tnila trapezoïdale, yettwaseddawen s wudem n lweqt (fan), yeldin ɣer usammer. Tabburt tameqrant ɣer usammer tettarra tafat n yiṭij deg lawan n cetwa isemmiḍen, ma d asqef aḥerfi akked yigenna icebbḥen ɣur idisan sswayen tazmert n yiṭij deg lawan n unebdu. Timcach yellan ɣer usammer d ugafa țțaǧǧan ajenwi ad iɛeddi ger daxel n uxxam. Tabnayt taqbaylit taqburt n Japan tettwasexdem, s wesɣar n cedar, tigejdit tabelluḍt akked yizadawen n shoji. Izdawen n shoji yemdelen țțaǧǧan-d tafat tarusant, ma d wid yeldin sḍefren-d taswiɛt n idurar i d-izzin i uxxam.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Yatsugatake Villa Aqeddac d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Yatsugatake Villa Aqeddac ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Yatsugatake Villa Aqeddac yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The exterior is characterized by three modern trapezoid tubes, deforming the traditional Japanese space under deep eaves to frame the landscape in four directions. The form was derived from meticulous calculation of precipitation, the sun's movement in summer and winter, and the thermal environment. Shoji paper screens offer a space filled with soft light iconic of Japanese culture when closed, and switch to the majestic scenery framed by the walls when opened, providing two alternating scenes.
Tigejdiwin & Akemmus: Site Area 691.00m2
Total Floor Area 110.01 m2 (1F 71.65 m2, 2F 38.36 m2)
W17,400mm x D12,300mm x H6,139mm
Tibzimin: Villa, Sun light, Wind, Fan-shape, Wooden, Mountain, Three adjacent shells, Sho-ji, Eaves, Farming
Tasnakta n Ufares: Contrary to the contemporary style guided by precipitation, sun rays and the surrounding environment, the construction of the house incorporates traditional Japanese wooden construction methods, with earthquake-resistant walls and large openings. Traditional Japanese techniques and components are used throughout, including plastering on the curved openings and fittings such as shoji and ranma (partition with ventilation and daylighting functions), creating a vernacular architecture.
Asewḥel n Usnulfu: In Japan, especially in rural areas, the number of carpenters capable of building elaborate wooden houses is decreasing, and it was difficult to find a builder who could construct a building with a unique (challenging) design. In spite of the modern design, Japanese cedar and plastering materials are used, and shoji screens as well as other traditional materials handed down from generation to generation are fit in by the indigenous module method, enabling the definition of a Japanese space.
Anadi: Three trapezoid tubes with north-south openings sit wide open towards the south to maximize winter daylight. Glass surfaces are set back from the roof edge to avoid direct south sun rays in summer. Side walls are arranged to block the west sun. The footprint is set back from the roof edge, partly to reduce soil excavation (deep foundation below the frost line is required), creating a sitting area free from rain dripping from the roof. It is a modern version of traditional Japanese engawa space.
Aseḥbiber: With exterior walls arranged to resemble a fan, the house provides framing for the landscape, maximizing the location on a plateau surrounded by fields and trees with panoramic view of mountain ranges in the distance. It is a summer resort, slightly cooler than humid summers in Tokyo, and yet the sun rays are strong and the winters are cold. The roof was extended to block direct sunlight in the summer and side walls to keep the western sun out, resulting in a series of tubular forms.
Tanzagt n Usenfar: The project was completed in Hokuto-City, Yamanashi, Japan in 2012
Tanila n Umahil: Considering the cold winter, the building is built in a fan shape, open to the south, in order to maximize the sunlight while the sun moves. On the other hand, in summer, the roofs and walls of the trapezoid tubes block the strong sun rays, creating shadows inside, and windows at the north and south let the breeze through to cool the airy space. The layout, guided by the thermal environment, provides various interior scenes of varying depths as seen through the openings that connect the spaces.
Igmamen n Terbaɛt: Kiyotoshi Mori
Natsuko Kawamura
Imsuren n Tugniwin: Photography: Toshiyuki Yano