Yearning for Home Aslugen n Uxxam Agejdan sɣur Yu Lung Lee

Yearning for Home Aslugen n Uxxam Agejdan sɣur Yu Lung Lee d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

UzzalAgensu· 2022

Yearning for Home Aslugen n Uxxam Agejdan

sɣur Yu Lung Lee

Amsaɣ: HOLY Design

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Agensu

9,888

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #130542

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Yearning for Home Aslugen n Uxxam Agejdan

Aẓawan n Uxxam d aslugen n uxxam agejdan yesɛan daɣen tamsalt n uxeddim. Tanila tamezwarut tenneflet, yeqqim yiwen n texxamt n yiḍes yeqqen ɣer texxamt tis snat, ihi asatal iban-d d ameqqran akter. Asiwel uzenzar amellal-aẓegzaw izzi-d ɣef ijdi n tiliẓri akked tiwwura n uɣbalu n texxamt n yiḍes, n texxamt n uḥraz d texxamt n usired n yinebgawen, isbeggen-d tissas-nsent n tafat d ṭṭili yettbeddilen. Talɣiwin ikuren skusent-d taɛrurin akked yigejdanen, ma d tafat n izirig tettwaseb i yiḍ. Yiwet n tabelṭ akked tnarit n tuɣma yellan s wudem aɛiwej ttwaselken d imukan n uxeddim. Idurar iḥerzen ṭṭfen amagrad n tsanaɛt n unaẓur n umsaɣ.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Yearning for Home Aslugen n Uxxam Agejdan d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Yearning for Home Aslugen n Uxxam Agejdan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
Tigejdiwin & Akemmus: Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
Tibzimin: Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
Tasnakta n Ufares: Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
Asewḥel n Usnulfu: To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
Anadi: The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
Aseḥbiber: Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
Tanzagt n Usenfar: The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
Tanila n Umahil: The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
Igmamen n Terbaɛt: Yu-Lung Lee, Szu-Hui Wang
Imsuren n Tugniwin: Chuang-Chieh Chiu