Device of Perception Amsedday Adelsan sɣur Yuting Zhang

Device of Perception Amsedday Adelsan sɣur Yuting Zhang d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LbrunzTansekta· 2022

Device of Perception Amsedday Adelsan

sɣur Yuting Zhang

Amsaɣ: Yuting Zhang

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #138650

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Device of Perception Amsedday Adelsan

Device of Perception d amsedday adelsan yellan di Mexico City, yezga ger yiwet n taddart taqburt anda ur llint ara tesbabyin ɛlayen d yiwen n usegmi n tejdébat s tesbabyin ɛlayen. Amsedday-a yeṭṭef azal n 4500 n lmitro yerbeɛ, ideg llan yiwet n texxamt n tcelɣut, yiwet n texxamt n umezgun tamecṭuḥt, allal n uskan, tiliwa n uxeddim, allal n uḥraz akked yiwet n teqehwit. Yiwen usarag n unekcum yekksen deg wexxam yebḍa gar wesqamu-nni akked webrid ameqqran ilulen, yerna yeqqim d asegmuz n tazwara i tsedust internal. Yal tazwart n twenza tawezlant tettwarzem s ṛebɛi n tzeggwa, ayen yefkan-d abrid asqamu n unqar amagg ideg walan medden tarrayin i teddi tɛerḍ. Ttwaseqdac deg wesbani-agi ubeton yesewḥelen d wuzzal ittɛeddin ɣer tuɣalin (weathering steel).

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Device of Perception Amsedday Adelsan d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Device of Perception Amsedday Adelsan ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Device of Perception Amsedday Adelsan yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Tigejdiwin & Akemmus: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Tibzimin: cultural center, gallery, theater, exhibition
Tasnakta n Ufares: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Asewḥel n Usnulfu: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Anadi: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Aseḥbiber: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Tanzagt n Usenfar: 2017 in Mexico City
Tanila n Umahil: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Igmamen n Terbaɛt: Yuting Zhang
Imsuren n Tugniwin: Yuting Zhang