Defy Asnas n Tewlaft n Uɣlaf n Wedlis sɣur Jin-Zhi Liao

Defy Asnas n Tewlaft n Uɣlaf n Wedlis sɣur Jin-Zhi Liao d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Umagrad d Umidya Yettwaɣran.

UzzalAmagrad· 2022

Defy Asnas n Tewlaft n Uɣlaf n Wedlis

sɣur Jin-Zhi Liao

Amsaɣ: Rye Field Publishing Co.

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Amagrad

11,510

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #139811

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Defy Asnas n Tewlaft n Uɣlaf n Wedlis

Defy d asnas n uɣlaf n wedlis i d-yettwaxedmen i wedlis yeffɣen ɣef wanarkizem. Tuɣmest n tiẓri i d agbur agejdan, tettwasel s uskasi aẓayan iwakken ad d-iban ugar am wamek yella s tidet. Aɣlaf akked tferrant n uqerru sskanayen ifecka isnulfuyen yettwasqedcen s waṭas di Taiwan i wesbeddi n yisebbaḍen, am ikubas n uzegzaw n webrid, ibarilen akked ikersiyen iɣezfanen. Akaram n usebter n usezdeg n tesnulfa i d ashaɣu n tsegza. Asnifel n yiniyen azeggaɣ, aberkan akked umellal, isumer-ed anagi n uɛasi akked tuɣalin. Ifecka-yagi yettwassnen sɛeddayen tikti tarbibt ɣer tudert n wass ɣur wass.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Defy Asnas n Tewlaft n Uɣlaf n Wedlis d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Defy Asnas n Tewlaft n Uɣlaf n Wedlis ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The glasses as a main visual hint, are coated with spot varnish to make the texture more realistic. Various typical objects which are often being used to build barricades are showed on the cover and the belly band. Designer tends to recall the shared memories of Taiwanese readers by these familiar objects. Also industrial packaging paper is used for printing material. The color scheme of the cover is red, black and white, in order to create a sense of the Left-wing, rebellion, and revolution. Readers can associate to Anarchism by both visual and tactile perceptions.
Tigejdiwin & Akemmus: Industrial packaging paper: kraft paper and Coated paper on each side
Spot Varnish coating
Tibzimin: book, press meadia, graphic
Tasnakta n Ufares: Spot varnishing on major visual design
Industrial packaging paper for printing
Asewḥel n Usnulfu: It is a challenge for designer while attempting to intepret the abstract concept of Anarchism for Taiwanese readers, so daily objects are being used allowing readears to easily associate to their experiences.
Aseḥbiber: People are standing up against existing rules, severe laws through provoking small-scale boycotts with typical objects which can be found on the streets of Taiwan. They are often being used to build barricades. For examples like Traffic cone with tire on top, barrels, bench, or a self-made “No Parking” stand. People use these to create a private boundary in a shared place. These behaviors can be taking as actions of Anarchism. The glasses on the other hand, is a symbol of getting a new vewpoint of Anarchism.
Tanzagt n Usenfar: The designing project started and finished in April 2021 in Tainan, Taiwan, and was published in Taiwan on 1st of April, 2021.
Tanila n Umahil: The graphic design is to create a shared life experience towards Anarchism, but also to try interpreting a perspective of Taiwanese folk culture.
Imsuren n Tugniwin: Book Author in original language: James C. Scott
Graphic Design: Jin-Zhi, Liao