Crescent Aselkim n Daxli n Wexxam sɣur Hsin-Ting Weng

Crescent Aselkim n Daxli n Wexxam sɣur Hsin-Ting Weng d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2022

Crescent Aselkim n Daxli n Wexxam

sɣur Hsin-Ting Weng

Amsaɣ: RIS Interior Design

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

12,216

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #140185

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Crescent Aselkim n Daxli n Wexxam

Aḍris n Tektabt: Crescent d aselkim n daxli n wexxam n 115 lmitrat imrebbaɛ deg New Taipei City, Taiwan. Bab n wexxam-a itɛiǧib-as ad isell i wemsawal, daymi tuget n tɛeddawiyin n wesli ttwaddsent seddaw n uneɣlaf n ssqef s tafat seffuḍent. Aneɣlaf-a yeskan-d ayen yecban akter n waggur ilulen deg ugilal n wemḍiq n tudert, ineṭṭeq-as tafat teḥma i wesli n umsawal neɣ i wemẓer n tfilmin. Tiseddadin n lemɛaden kemmlent seg ssqef ar wudem n texdemt, ar iɣerban akked tebbura, sɣersent asisen ɣef usemli. Tiseddadin n rrxam ttalint seg udɣar n tviziu ar usisen n uḍar anda ttwarran ibenkan n wesli. Tafat i yeɛlaqen s wumeẓli ɣef teɛmurt n tuɛacin tessedduy asemgired.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Crescent Aselkim n Daxli n Wexxam d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Crescent Aselkim n Daxli n Wexxam ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Crescent Aselkim n Daxli n Wexxam yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The apartment owner enjoys listening to music. In response to the owner's audio-visual function requirements, most acoustic equipment is embedded underneath the backlit ceiling arc, forming a suspended crescent at the core of living space. The arc slithers the open space and holistically complements with clean linearity. While minimal forms dominate throughout all areas, the red pendant above the dining table draws an artistic contrast, playfully presenting stacks of lights and shadows.
Tigejdiwin & Akemmus: Construction area 115 square meter.
Tibzimin: Arc, marble, minimalism, mineral paints, Foscarini pendant
Tasnakta n Ufares: Mineral paints are not only seen from ceilings to floorings, but also continuously painted on walls and doors, developing into a continuum of functional storage. Properties of mineral paints sustain a primal and modest ambiance, implying to the and undertones of the Moonlight sonata by Beethoven.
Asewḥel n Usnulfu: The installation of visual-audio devices is complicated and technically intricate. How to congregate all the wirings and enclose in a slender crescent shape at the same time, is therefore an arduous task.
Anadi: The arc integrates with backlit design, not only enveloping the living area, but also giving a warm glowing touch to the family. It provides more mood conditions to cater for listening to music or watching movies.
Aseḥbiber: Music is an art form. If sound is tangible, what does it look like? Imagining the acoustic waves rise, swirl, and then fall in the space, outlines in a smooth trajectory of arc. This project aims to forge a lyrical lifestyle in minimalist forms imbuing with tasteful sophistication.
Tanzagt n Usenfar: Completion on November 2021, New Taipei city, Taiwan
Tanila n Umahil: Extending the marble paneling from the TV wall, the flooring marble inlay assures the audio device placement. Except the partial tile flooring at the entrance for dust-fall purposes, the interior design is filled with the low-saturated color tone, suffusing with poise and tranquility and encompassing sufficient storage at the same time.
Ibrivan: Copyrights belong to Ris Interior Design Co., Ltd.
Igmamen n Terbaɛt: HSIN TING WENG
Imsuren n Tugniwin: Hey!cheese Photography