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Re48 Storehouse Tawuri Tagejdant: Aslugen Agensan Anaẓur sɣur Yu-Hsiang Su and Wei-Hung Wang

Re48 Storehouse Tawuri Tagejdant: Aslugen Agensan Anaẓur sɣur Yu-Hsiang Su and Wei-Hung Wang d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.


LbrunzAgensu· 2023

Re48 Storehouse Tawuri Tagejdant: Aslugen Agensan Anaẓur

sɣur Yu-Hsiang Su and Wei-Hung Wang

Amsaɣ: Re Factory

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

11,091

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #145461

Initen

Afeṣṣel

Ɣef Re48 Storehouse Tawuri Tagejdant: Aslugen Agensan Anaẓur

Aḍris n Tektabt: Re48 Storehouse d aslugen agensan anaẓur i d-yettwaxedmen deg wanda yellan zik d tuseddast n wuzzal deg Taichung, Taiwan. Iqwac n tebnat n tuseddast taqdimt ttwaḥerzen, tebna-d tibniyin timaynutin gar-asent. Tuẓẓluft yettwaḥerzen ɛlayen aṭas, tibnayin n wuzzal ur nefli, akked yesbergan iqburen n tsenaɛt. Askari n tzegzawt (timber) yesmenyif tabnat n uzru n wuzzal s tuɣmas kra i yemxalafen, ayen i d-yeskanen udem s izenqi imcerregen. Amkan n lqahwa iwezzlen 14 lmitrat i d-yesmektayen tazrigt n usnulfu taqdimt. Amkan n 443 lmitrat imqiqel yezmer ad d-yeḥwi lqahwa, tazrigt n usneɣmas (galerie), asqamu n tesnasin n ublitat (tile showroom) akked yiwet n tezrigt n uslugen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Re48 Storehouse Tawuri Tagejdant: Aslugen Agensan Anaẓur d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Re48 Storehouse Tawuri Tagejdant: Aslugen Agensan Anaẓur ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Re48 Storehouse Tawuri Tagejdant: Aslugen Agensan Anaẓur yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
We are interested in preserving the original design of the space, rather than trying to erase the old one. As part of a new commercial space, the process entailed preserving the shells of the existing factory buildings while adding new interior structures. Keeping the ex-metal factory with its unique features such as ultra-high ceilings, exposed rough metal structures, and industrial machinery.
Tigejdiwin & Akemmus
443 m2
Tibzimin
Factory Repurposed, Industrial Factory Reuse, Gallery, Community,
Tasnakta n Ufares
We are drawn to the interior spans of factory and are creatively adapting them for postindustrial reuse. keeping the ex-metal factory with its unique features such as ultra-high ceiling, exposed rough metal structures, and industrial machinery.
The interior design uses a timber framework a diminutive imitation of the larger steel roofing frame together with special lighting techniques to create a multilayer visual effect.
The internal timber frame is slightly different in angle compared to its steel roofing counterpart, creating a displacement effect and adding another layer of design interest.
The 14-meter-long coffee bar is reminiscent of the factory assembly line, divided into three sections a pastry counter, a hand-drip coffee bar, and an espresso bar. The open space design lets the visitors observe the ‘assembly line’ from their seats.
Asewḥel n Usnulfu
The first difficulty we faced in this project was: how to display the old and new side by side without contradicting each other. Namely, how to preserve the characteristics, the rawness of the metal factory, rather than painting everything white and fitting it with all the shining new gauges?
How to combine different design languages? how to stage the lighting to facilitate this conversation between the past and present?
Based on these ideas, we aim to give this space a new function: a place that inspires creativity and a place to have a cup of coffee. From now on, the word metal factory carries a special meaning for the locals a place where neighbors became friends.
Anadi
We are focusing on the ergonomics of this work.
The configuration of movement lines on a flat surface. The practical application heights, such as stairs treads should comply with 28 Multiply and 19. The height of a desk at 76 centimeters is the most comfortable for ergonomics.
Make the movement lines interesting, ergonomic, visually clean and concise in design, embody the spirit of craftsmanship, and achieve a minimalist attitude.
Aseḥbiber
This storehouse lends us significant freedom to reimagine new commercial spaces for various functions.
The compounded space contains a cafe, a gallery, a tile showroom, and a design studio. Open space design allows the exchange of ideas flows more freely.
Tanzagt n Usenfar
The project started in January 2022 in Taichung, Taiwan, and finished in April 2022.
Tanila n Umahil
The compounded space contains a cafe, a gallery, a tile showroom, and a design studio. Open space design allows the exchange of ideas flows more freely.
Separated by different entrances, on the right side of the cafe is the tile showroom, or rather, an art gallery. The tiles can be turned by their audiences and can be seen by the cafe visitors
as well, creating an interesting dynamic between the two spaces without disturbing each other.
If you would like to see those big industrial machines up close, you may go up to the gallery on the second floor, all while seeing the artwork or listening to live music. Feel the history of the old metal factory, imagine its past glory.
Ibrivan
Re Factory
Igmamen n Terbaɛt
Yu-Hsiang Su
Wei-Hung Wang
Imsuren n Tugniwin
Photographer Che-I, Liao 2022, Taiwan

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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