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Abaliss Sans Amedya n Tsefsit n Yisekkilen by Paul Robb
Abaliss Sans Amedya n Tsefsit n Yisekkilen by Paul Robb
Abaliss Sans Amedya n Tsefsit n Yisekkilen by Paul Robb
Abaliss Sans Amedya n Tsefsit n Yisekkilen by Paul Robb
Abaliss Sans Amedya n Tsefsit n Yisekkilen by Paul Robb

Lbrunz Unuɣ · 2023

Abaliss Sans Amedya n Tsefsit n Yisekkilen

by Paul Robb

  • Tarbaḥt A' Design Award n Lbrunz 2023 in Unuɣ
  • CLIENT: S6 Foundry
  • Estimated Number of Design Views: 23,468
  • Verification code BDA4CB4B3E · Verify this award
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Colors

About Abaliss Sans Amedya n Tsefsit n Yisekkilen

Abaliss Sans d tawacult n tsefsit tatrart n yisekkilen yebnan ɣef uɣanib aswis s yimgerraden ihindasiyen iǧehden i d-yettbinen taẓurit tatrart yettbeddilen. Adeg-is amyigez d tallunin-is timeqqranin yeldin ttak-d tanemlilt tuzzigt i yisenfaren n tmerna d teywalt. Yal taẓẓayt tesɛa ugar n 700 n uferdis s yigrawen n yisekkilen d wuṭṭunen s uɣanib, iferdisen-nniḍen akked ticraḍ tixtiṛiyin.

About the Tarbaḥt A' Design Award n Lbrunz

Abaliss Sans Amedya n Tsefsit n Yisekkilen d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Abaliss Sans Amedya n Tsefsit n Yisekkilen ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Abaliss Sans Amedya n Tsefsit n Yisekkilen yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Press Kit

Unique Properties
Abaliss Sans is a contemporary typeface family based on the swiss style with strong stylistic geometric contrasts representing the shifting contemporary aesthetics. Its distinctive stance and wide-open counters allow the right visual consistency for branding and communications projects.
Dimensions & Packaging
The Specimen was printed CMYK with one special fluorescent green.
Tags
Font design, Branding, Identity, Type design
Production Technology
The typeface was developed in Glyphs
Design Challenge
The research challenge was to create forms that were an innovation in the stylistic feeling of the typeface family
Research
Researching the form shape and structure of the font, lead us to examine early 20th centry fonts from humanistic to geometric styles, helping to evolve the present forms.
Inspiration
The inspiration for the typeface family is based on the shifting aesthetics of modernism. The layout of the specimen was influenced by the layout structures and experiments of Emil Ruder., Weingart and Hofman.
Project Duration
The Typeface was started in 2022 and finished in 2023
Operation Flow
The Specimen was a limited run and sent to existing customers
Image Credits
Copyright 2023 Paul Henry Robb

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