Xiangxin Huzhou Songyuanli Afeṣṣel n daxel n tnezduɣt sɣur Zhijun Zhong

Xiangxin Huzhou Songyuanli Afeṣṣel n daxel n tnezduɣt sɣur Zhijun Zhong d anerbaz yettwaqadren meqqren n 2023 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LfeṭṭaAgensu· 2023

Xiangxin Huzhou Songyuanli Afeṣṣel n daxel n tnezduɣt

sɣur Zhijun Zhong

Amsaɣ: Herabenna

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

13,117

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #148815

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Xiangxin Huzhou Songyuanli Afeṣṣel n daxel n tnezduɣt

Xiangxin Huzhou Songyuanli d afeṣṣel n daxel n tnezduɣt i yellan daɣen d axxam n umedya i d-yettwaseknen i medden. Asenfaṛ-a yeṭṭef 696 n lmitrat imkuẓen deg Huzhou, di tmurt n Zhejiang, di Tccinwit. Talɣa n lebni tekka-d seg lebni aqbur n Huizhou, s leḥyuḍ imellalen d yeqermuden iberkanen. Deg daxel, yemlal ukristal d uzzal, ma d leḥwal n ddheb d lfeṭṭa akked tugniwin tiqburin kemmlen taxxamin. Lqecc n uxxam yettwaxdem s leḥrir adigan n Huzhou. Tignatin tiqburin n uneqqec, n useḍru akked tarrayin n tebḥirt ddukklent d tudert tatrart, akken axxam ad yerr i wayen yeḥwaǧ bab-is d yinebgawen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Xiangxin Huzhou Songyuanli Afeṣṣel n daxel n tnezduɣt d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Xiangxin Huzhou Songyuanli Afeṣṣel n daxel n tnezduɣt ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The project is located in Huzhou, Zhejiang Province, and its architecture draws on the traditional "huizhou architecture" with its white wall and black tile, recreating the highlight of "Aesthetics of China". It intends to respect tradition, review history with contemporary aesthetic taste, open up the lifestyle of modern aristocrats, reorganize the elements of the new era, and write new "story chapters ",which can be traced back to the Chinese modern era.
Tigejdiwin & Akemmus: 696 square meters
Tibzimin: Mansion, luxury, classical, golden age, aristocratic circle, Modern Times of China
Tasnakta n Ufares: Under the contemporary background, the design shows the aesthetics of China, incorporating classical British expressions into the design, and enhancing the space with soft furnishings such as gold and silver wares and antique paintings.

In terms of material selection, c crystal and metal are perfectly integrated, showing the prosperity of the industrial age and reappearing the golden years of the Oriental Modern. The interior furniture uses local silk products from Huzhou as raw materials, and the joint design with BIZZOTTO, the world leading furniture brand. This reflects the quality and craftsmanship, and conveys the essence of high quality spirit.

The design carries forward the excellence of Chinese culture by inheriting traditional Chinese dark engraving techniques, traditional handicraft embroidery techniques, Jiangnan gardening techniques and an inclusive human attitude.
Asewḥel n Usnulfu: "Fusion is a better reservation"

In an era of rapid development of science and technology, the inheritance of handicrafts and excellent traditional culture has always been facing great difficulties. The design of the large space draws inspiration from modern 'Shanghai', applying the 'cross-border fusion' model once again to the design, integrating traditional culture with contemporary lifestyles and fusing Chinese and Western design features. The multifunctional parlour in the basement will lead the design to trendy movies and video games, and then disassemble and reorganize them to create a boy's ultimate dream playground. In the future design, standards and styles are constantly being broken. We prefer to try to constantly integrate and cross boundaries, challenging more and more interesting fields, and conveying a design concept that is constantly breaking through.
Anadi: n the 1930s and 1940s, the area around the Yangtze River Basin, headed by Shiliyangchang (Shanghai), was gradually westernized. The aristocratic circle's recognition of "Ambilight" decoration has reached the peak of the times, and the classical and luxurious temperament of the space given by the luxury materials such as crystal, metal and leather is generally accepted by people in the circle, which has formed a unique interior decorative style such as naval style and Hong Kong style by integrating with the traditional implicit, class distinct interior layout style. As we all know, gold and silver utensils are the symbol of luxury and the belief of excellent craftsmanship and quality, and also reflect the attitude of noble circles pursuing quality of life. Promoting high quality of life is also the most desired quality concept to be conveyed by the design itself.
Aseḥbiber: When we think back to China in 1930s, the lifestyle of the upper aristocracy has always been regarded as a classic of the times. Chinese people's aesthetic appreciation began to go from traditional classical subtlety to international modernity. Interior decoration styles began to show the characteristics of the industrial era, not only modern and stylish but also retaining the traditional subtle and elegant temperament.
Tanzagt n Usenfar: This project is located at No. 58 Meiquan Road, Wuxing District, Huzhou City, Zhejiang Province, China, and was completed in May 2022.
Tanila n Umahil: This project is the private residence of the project developer, and also needs to be shown to the public as a prototype house. Therefore, we are faced with a paradox: our works should conform to both the owner's preferences and the audience's design preferences, which means that our design works should be both "relatively universal" and "exclusively pertinence". In the first stage, from the perspective of the audience circle, we mainly researched design preferences. In the second stage, we conducted a more detailed investigation on the design details for the owners, thus achieving both the exhibition purpose and meeting the exclusive needs of the owners.