Ɛeddi ɣer ugbur
Wayang Golek Tasuqilt n Yisura sɣur Mengyao Guo

Wayang Golek Tasuqilt n Yisura sɣur Mengyao Guo d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.


UzzalUnuɣ· 2024

Wayang Golek Tasuqilt n Yisura

sɣur Mengyao Guo

Amsaɣ: Mengyao Guo

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Unuɣ

9,939

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #154256

Initen

Afeṣṣel

Ɣef Wayang Golek Tasuqilt n Yisura

Wayang Golek d tasuqilt n yisura ibanen s useqdec n tmezgunt taqbaylit n Indoniziya s yisuraf, yețțusemman s yisem-nni. Tasuqilt-agi tessken-d isuraf s yiniten iɛewjen, s wanawen ifessren akked tira taɣersasant ipwakksen si tẓuri n Indoniziya. Isura-agi ttwaxedmen d tugniwin n vecteur deg Adobe Illustrator, s useqdec n tferka n yiniten i wakken ad d-banen s uɛeǧǧeb, akked uxeddem aqbur n wanawen i tugniwin. Aḍris ussnan-agi yeǧǧa-d tugna ad tettbeddil tiddi-ines, tețwabḍa daɣen ger ugilal war ma teɣla deg tɣara-ines. Taswiɛt n uselkim-agi d asnerni n tissas ɣer Wayang Golek gar imesli-nniden imecṭaḥ.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Wayang Golek Tasuqilt n Yisura d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Wayang Golek Tasuqilt n Yisura ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The "Wayang Golek" project uniquely blends traditional Wayang Golek puppets with modern design. It employs vibrant colors, intricate patterns, and robust typography, reflecting the richness of Indonesian art. The series aims to rekindle appreciation for this cultural gem, especially among younger audiences, offering an innovative, contemporary approach to preserving and promoting traditional art forms.
Tigejdiwin & Akemmus
As digital creations, the "Wayang Golek" series offers scale, color adjustments, and design modification flexibility. Using Adobe Illustrator, a vector-based program, ensures high-resolution output for any size without losing quality. The color mode used was RGB. It can be easily converted to other color modes for digital screen displays. The files were saved in .ai format for easy editing and exported in .pdf and .jpeg formats for universal accessibility.
Tibzimin
Wayang Golek, Cultural Communication, Graphic Poster, West Java, Adobe Illustrator
Tasnakta n Ufares
The "Wayang Golek" project utilized Adobe Illustrator for precision and control in crafting vector graphics, including color blocking to capture vibrant hues and detailed pattern design for intricate motifs. The strong typographical elements were carefully chosen. The design process was iterative, involving several rounds of feedback and refinement to preserve the puppet's unique attributes while encapsulating the cultural richness of traditional Indonesian art.
Asewḥel n Usnulfu
The most challenging part of the "Wayang Golek" project was merging traditional Indonesian art with contemporary graphic design while maintaining cultural integrity. Balancing the historical and social perspectives of Wayang Golek with modern aesthetics required careful research and thoughtful design choices. Externally, ensuring the designs could be produced in various formats without losing quality was a technological challenge. However, using Adobe Illustrator allowed this versatility, providing the designs maintained their vibrancy and detail across platforms.
Anadi
Cultural and design research was conducted for the "Wayang Golek" series. The objective was to understand Wayang Golek's historical and cultural significance and how to translate these elements into modern graphic design. The methodology involved a literature review, a visual analysis of traditional Indonesian art, and a study of Wayang Golek's performances. Adobe Illustrator was the primary tool used for design creation. The designs were shared with a test audience, which included young Indonesian and international viewers, to gauge response. The positive feedback affirmed the project's success in making Wayang Golek more relatable to a modern audience. This approach could inspire similar projects, bridging the gap between traditional art forms and contemporary design.
Aseḥbiber
The "Wayang Golek" project finds its inspiration in the historic art of Wayang Golek, a traditional Indonesian puppet theater. The project draws from the vibrancy and intricacy of Indonesian art, reflected in the designs' bold colors, complex patterns, and robust typography. It's driven by the mission to revive appreciation for this cultural gem among younger generations.
Tanzagt n Usenfar
The project started and finished in the summer of 2022 and was exhibited in 2022 West Java.
Tanila n Umahil
The "Wayang Golek" series, as digital artwork, is interacted with primarily visually. Viewers can explore the vibrant color palette, intricate patterns, and strong typography that echo traditional Indonesian art. While rooted in tradition, the designs are presented in a contemporary style, making them relatable to a modern audience. This fusion of old and new enhances viewer engagement, fostering an appreciation for Wayang Golek. The digital format also ensures easy sharing and display across various platforms and devices, improving accessibility and interaction.
Imsuren n Tugniwin
Image #1: Creator (Designer and Illustrator), Mengyao Guo, Wayang Golek, 2022.
Image #2: Creator (Designer and Illustrator), Mengyao Guo, Wayang Golek, 2022.
Image #3: Creator (Designer and Illustrator), Mengyao Guo, Wayang Golek, 2022.
Image #4: Creator (Designer and Illustrator), Mengyao Guo, Wayang Golek, 2022.

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