Ɛeddi ɣer ugbur
Arts Fund Tamagit Tazrayant sɣur Zeyu Wu

Arts Fund Tamagit Tazrayant sɣur Zeyu Wu d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Unuɣ, Tugna d Teywalt Tamulant.


LfeṭṭaUnuɣ· 2024

Arts Fund Tamagit Tazrayant

sɣur Zeyu Wu

Amsaɣ: Yilin Wang

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Unuɣ

93,335

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #157359

Initen

Afeṣṣel

Ɣef Arts Fund Tamagit Tazrayant

Arts Fund d anagraw n tmagit tazrayant yettwaxedmen i wahil n usilɣ n yiswiyen n ufeṣṣel n yiwudam. Afeṣṣel yesdukkel isekkilen CUZ akked yizamulen imensayen n topera tacinwat. Iferdisen icinwaten ttwarsen ɣer yidis n yisekkilen ilatiniyen iwakken ad d-sbeggnen abeddel adelsan gar Ugmuḍ akked Utaram. Akatar amatu yeḍfer aɣanib agraɣlan aswis, i yerẓan syin isekkilen n CUZ, ayen i s-yefkan talɣa yellan d tamahilant u d tapost-modernit ɣef tikkelt. Anagraw yettusnes ɣef tferka n uselɣu, tiwriqin, tinnubga akked yikalusen. Iswi d beṭṭu n yidles n topera tacinwat akked yimeẓyanen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Arts Fund Tamagit Tazrayant d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Arts Fund Tamagit Tazrayant ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
This project is a visual system for the Communication University of Zhejiang for the China Arts Foundation's Character Design Talent Training Programme, combining CUZ with the traditional motifs of Chinese opera and combining Chinese elements with Latin letters to express the cultural exchange between East and West. The overall visual framework is built around a Swiss internationalist style, which is broken up by CUZ, making the design both functional and post-modern in its visual form.
Tigejdiwin & Akemmus
The common specifications of posters are A1, A2, A3, etc. The size depends on the need, and can be made of paper, plastic, airbrush and other materials. Flyers are smaller in size, usually A4 or smaller, and are usually made of paper, which can be printed, photographed, airbrushed and other treatments. The specifications of invitations depend on the number of people to be invited and the content, such as postcard type, card type, etc. They are made of paper, plastic and other materials, and can be processed by printing, hot stamping, embossing and so on. The specification of banners depends on the length and usage, such as 1 metre, 2 metres, 3 metres, etc. They are usually made of fabric, and can be processed by printing, heat transfer and so on.
Tibzimin
regional culture,Tangible cultural heritage,Graphic design
Tasnakta n Ufares
The overall visual framework is built around a Swiss internationalist style through typography that is both functional and post-modern in form. The user can clearly identify the message of the poster from the text and experience the opera from the text and the operatic images.
Asewḥel n Usnulfu
The use of post-modern design forms of traditional culture in the innovation, forming a very unique visual style, so that it is clearly differentiated from other activities of the main visual, appear more unique and artistic, so as to produce a unique visual charm, but also to better promote the brand.
Anadi
Through a strong visual impact, the innovation of cultural redesign attracts the attention of more young people to opera, thus continuously creating a kind of propaganda for traditional culture.
Aseḥbiber
The aim of the project is to better disseminate the traditional Chinese opera culture. We combine Chinese characters with Latin characters so that the posters can have a good communication, take Chinese opera culture out and show the world the charm of opera culture.
Tanzagt n Usenfar
The project started in Hangzhou in February 2023 and will end in October 2023.
Tanila n Umahil
The clear message and unique visual format of the campaign's main visual attracted a large number of customers, who were very interested in the campaign, and a series of derivative products, i.e. practical and aesthetic in one, were unanimously well received by users.
Igmamen n Terbaɛt
Chaonan Shen
Wen Zhang
Luyu Wang
Yihan Zhang
Ke Xu

Yettwaxellṣen

Snirem Seld Designers.org

Af-d iferdisen, imeẓla d tegnatin sɣur yimɛawnen-nneɣ n usissen.

Asnulfu Yelhan Yesra Asekṛes Ameqqran

Arraz A' n Usnulfu d arraz agraɣlan, yettusneqden sɣur uɣref, i usnulfu yelhan. Ttekki deg Urraz A' n Usnulfu akken ad tesɛuḍ tagnit n usekṛes imeritukratik, ad tawiḍ aẓayer, ameqqer d usissen i umahil-ik. Sumer amahil-ik i Urraz A' n Usnulfu akken ad tnafseḍ s Ulamek A' n Usnulfu.

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