Dialogical Relationship Tiḍebsiyin n ukerru sɣur Keiji Ishikawa

Dialogical Relationship Tiḍebsiyin n ukerru sɣur Keiji Ishikawa d anerbaz yettwaqadren meqqren n 2024 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ifecka n Uswi, Tameṣṭa, Tisit d Usečči.

LbrunzIfecka n Tanecwit· 2024

Dialogical Relationship Tiḍebsiyin n ukerru

sɣur Keiji Ishikawa

Amsaɣ: KJ studio

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Ifecka n Tanecwit

30,892

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #158027

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Dialogical Relationship Tiḍebsiyin n ukerru

Usileɣ n ukerru yeǧǧen yesɛa d iswi ad yeǧǧ tikti tayalut s usseḥḥu n tqisiḍin yemgaraden, am tirmiten n zik, tanemmirt i wass-a, akked usigget n uzekka. Usileɣ-agi yegber-d isekkilen icuban i wtul i d-yesbeggnen iḥulfan yemgaraden, i d-yernan tasɛa n umsawal. Tinsuffaɣ tihulfanin n yisekkilen-agi d-ttbanen s usider, s yibeddilen qrib n yimi akken ad yesnefli taqsiṭ. Usileɣ-agi yessihrig medden ad xemmmen ɣef tirmiten-nsen n zik d timuɣliwin-nsen, yernu yettmagar azal n temsawalin timxalafin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Dialogical Relationship Tiḍebsiyin n ukerru d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Dialogical Relationship Tiḍebsiyin n ukerru ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Dialogical Relationship Tiḍebsiyin n ukerru yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The design of the dialogical scenes features a pair of rabbits expressing various emotions, with a repeated pattern of unified and stable expressions. The characters around the mouth of the glass showcase natural changes that unfold the story, allowing the holder to reflect on past experiences and prospects. This design symbolizes the joy of realizing a unified self through dialogical relationships with others.
Tigejdiwin & Akemmus: The product dimensions are as follows: In the main image, the wine glass is 58mm in diameter and 150mm in height, and the sake cup is 60mm in diameter and 60mm in height. In optional image #1, the plate is 150mm in diameter and 33mm in height, and the top view of the plate is shown in optional image #2. In optional image #3, the sake glass is 60mm in diameter and 70mm in height. Finally, in optional image #4, the rock glass is 77mm in diameter and 92mm in height.
Tibzimin: kiriko, cutglass, japaneseglassware, glassart
Tasnakta n Ufares: The double-layered glassware is carefully ground and polished by hand using Japanese Kiriko cut glass technology.
Asewḥel n Usnulfu: As a result of trial and error, we decided on a simple and abstract design like a rabbit for the pair of characters. We tried many variations for the various emotional expressions and agreed on them while referring to multiple people's opinions (I would especially like to thank Ms. Risako Ishikawa for her valuable advice).
Anadi: We needed to create a pair of characters that could be cut with Kiriko and that were visually enjoyable. Moreover, we needed to create scenes where those characters expressed various emotions.
Aseḥbiber: My inspiration for creating a cut glass was to capture and celebrate life's meaningful moments. I wanted to make a piece that would remind us of our past achievements, help us appreciate the present, and inspire us to dream of a bright future. To bring this vision to life, I used dialogue from different scenes to tell a comprehensive story.
Tanzagt n Usenfar: The project started in March 2023 in Tokushima, Japan, and finished in January 2024.
Tanila n Umahil: The pattern of the character, like a pair of rabbits, is a wide-angle V-cut, so when viewed from the side, the design on the inside changes and shines through, as shown in the main image. Also, as indicated in optional image #2, by looking at the plates from above, you can see how the story progresses with the variations of the characters. Additionally, the design is very smooth to the touch and shock-resistant because the cut of the character pattern is shallow in depth.
Ibrivan: The design is applying for design registration and will get copyright in registered designs in December 2024 in Japan.
Imsuren n Tugniwin: Video Credits:
To make the story development of the scenes where the pair of characters express their emotions more straightforward to understand, we show the scenes changing as we rotate the glass in a video.